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English
Methuen Drama
18 October 2018
The Great European Stage Directors Set 1 offers an an authoritative account of the work, lineage and legacy of the major theatre directors from the late nineteenth and first half of the twentieth centuries. Across the four volumes and the companion series Set 2: Post-1950, it provides a uniquely rich study of the genealogy and development of a practice through focus on individual directors and the wider context and artform in which they worked. For professional practitioners and those developing their skills, as well as those engaged in the analysis of theatre practices, forms and history, it will prove an essential resource.

Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director's practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development.

Volume 1: Stanislavski, Antoine and Saint Denis (edited by Professor Peta Tait, La Trobe University, Melbourne, Australia): the engagement with 'realism'

Volume 2: Meyerhold, Piscator, Brecht (edited by Professor David Barnett, University of York, UK): theatre as a mechanism of political enactment and critique, with the experiments in acting practice, scenic arrangements and audience address

Volume 3: Copeau, Komisarjevsky, Guthrie (edited by Professor Jonathan Pitches, University of Leeds, UK): experiments in modes of working and staging

Volume 4: Reinhardt, Granville Barker, Jessner (edited by Professor Michael Patterson, De Montfort University, Leicester, UK): the engagement with aesthetic modernism as part of a set of formal languages, leading to new approaches to the expressive apparatus

Edited by:  
Series edited by:  
Imprint:   Methuen Drama
Country of Publication:   United Kingdom
Weight:   1.967kg
ISBN:   9781474254113
ISBN 10:   147425411X
Series:   Great Stage Directors
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Mixed media product
Publisher's Status:   Active
Volume 1: Stanislavski, Antoine, Saint Denis Edited by Peta Tait (La Trobe University, Melbourne, Australia) Volume 2: Meyerhold, Piscator, Brecht Edited by David Barnett (University of York, UK) Volume 3: Copeau, Komisarjevsky, Guthrie Edited by Jonathan Pitches (University of Leeds, UK) Volume 4: Reinhardt, Granville Barker, Jessner Edited by Michael Patterson (Emeritus, De Montfort University, Leicester, UK)

Simon Shepherd is Emeritus Professor of Theatre at the Royal Central School of Speech and Drama, London, UK. He conceived and edits Palgrave's Readings in Theatre Practice series, for which his volume Direction appeared in 2012. Among his other titles are The Cambridge Introduction to Modern British Theatre, Drama/Theatre/Performance (with Mick Wallis), and Studying Plays (with Mick Wallis, Bloomsbury, 2010). Professor Peta Tait (La Trobe University, Melbourne, Australia) is an academic scholar and playwright with an extensive background in theatre, dramatic literature, performance theory and creative arts practice. She researches in the interdisciplinary humanities fields of emotions, body theory and gender identity. Professor Tait has authored four scholarly books, and edited and co-edited three further books, with sixty other publications including articles in Theatre Journal, Modern Drama and Performance Research. David Barnett is Reader in Drama, Theatre and Peformance at the University of Sussex, UK. He has published monographs on Heiner Muller (1998) and Rainer Werner Fassbinder (2005, paperback 2009), and co-edited a volume and edited a special issue of Contemporary Theatre Review on contemporary German theatre. He is the author of Brecht in Practice (Bloomsbury Methuen Drama, 2014) and A History of the Berliner Ensemble (2015), and he edited the anthology of Bertolt Brecht's Berliner Ensemble Adaptations (Bloomsbury Methuen Drama, 2014). Jonathan Pitches is Professor of Theatre and Performance at the University of Leeds, UK. His publications include Vsevolod Meyerhold (2003), Science and the Stanislavsky Tradition of Acting (2006/9), Russians in Britain (2012) and Stanislavsky in the World (with Dr Stefan Aquilina, Bloomsbury Methuen Drama, 2016). Michael Patterson is Emeritus Professor of Theatre and has taught at five universities in the UK. His publications include: The Revolution in German Theatre 1900-1933 (1981); Peter Stein (1981); Strategies of Political Theatre (2003); The Oxford Dictionary of Plays (2005); The Oxford Guide to Plays (2007); for Bloomsbury he edited Buchner: The Complete Plays (1987); and has written over 20 articles and chapters in books.

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