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English
Bloomsbury Visual Arts
10 March 2022
In The Fashion Reader, Linda Welters and Abby Lillethun have selected 76 influential articles to offer insight into the critical theories and conversations that surround this huge international industry.

Many of the essays are drawn from books, journals, magazines, and exhibition catalogues, bringing together new and established concepts to offer a solid grounding in the history, business and culture of fashion. Fourteen of the chapters were written expressly for this edition. For added context, each of the fifteen parts has an introduction from the editors, guiding you through the interdisciplinary world of fashion studies, and each part concludes with suggestions for further reading.

This third edition has been substantially revised to highlight issues of sustainability, identity, the body, as well as global perspectives from “The Commodification of Ethnicity” to “The Cultural Heritage of Tattooing.”

Edited by:   , ,
Imprint:   Bloomsbury Visual Arts
Country of Publication:   United Kingdom
Edition:   3rd edition
Dimensions:   Height: 246mm,  Width: 189mm, 
Weight:   1.240kg
ISBN:   9781350059139
ISBN 10:   1350059137
Pages:   552
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Paperback
Publisher's Status:   Active
Introduction — Linda Welters and Abby Lillethun Part I: A Brief History of Fashion Introduction — Linda Welters 1. From Prehistory through Byzantium — Abby Lillethun 2. Europe to 1700 — Linda Welters 3. From Baroque Elegance to the French Revolution: 1700–1790 — Kimberly Chrisman-Campbell 4. From Neoclassicism to the Industrial Revolution: 1790–1860 — Susan North 5. The Victorian and Edwardian Eras: 1860–1910 — Cynthia Cooper 6. The Modern Era: 1910–1960 — Tiffany Webber 7. The Postmodern Age: 1960–2020 — José Blanco F. 8. Fashion Outside the West — Linda Welters and Abby Lillethun Annotated Guide to Further Reading for Part I Part II: Fashion Theory Introduction — Abby Lillethun 9. Dress as an Expression of the Pecuniary Culture — Thorstein Veblen 10. The Habitus and the Space of Life-Styles — Pierre Bourdieu 11. The Fashion System — Grant McCracken 12. The Dressed Body — Joanne Entwistle 13. Re-Orienting Fashion Theory — Sandra Niessen Annotated Guide to Further Reading for Part II Part III: Psychology of Fashion Introduction — Abby Lillethun 14. The Fundamental Motives — J. C. Flugel 15. Blue or Pink? That is the Question: Homophobia and Its Influence on the Gendering of Colour Symbolism — Eun Jung Kang 16. Shopping for Fashion — Carolyn Mair 17. Lacan and Fashion — Alison Bancroft 18. Spirited Individuality: Halloween — Pravina Shukla Annotated Guide to Further Reading for Part III Part IV: Fashion and Identity Introduction — Abby Lillethun 19. Dress and Identity — Mary Ellen Roach-Higgins and Joanne Eicher 20. All Out in the Wash: Convict Stain Removal in the Narryana Heritage Museum’s Dress Collection — Jennifer Clynk and Sharon Peoples 21. Subculture: The Unnatural Break — Dick Hebdige 22. 1980s and Beyond: Queering Fashion — Susan B. Kaiser 23. Islamic Fashion and the Global Islamic Revival Movement — Annalies Moors and Emma Tarlo 24. The Commodification of Ethnicity: Vlisco Fabrics and Wax Cloth Fashion in Ghana — Christine Delhaye and Rhoda Woets Annotated Guide to Further Reading for Part IV Part V: Fashion: Space and Place Introduction — Linda Welters 25. Fashion in Peripheral Places: The New Zealand Story — Sally Weller 26. Travelling the Street Style Blogosphere: Amateur Photography — Brent Luvaas 27. Flagship Stores: Scaling Fashion’s Luxury Spaces — Louise Crewe 28. Globalization Reconsidered: The Historical Geography of Modern Western Male Attire — Wilbur Zelinsky 29. Nailed It: Producing and Consuming in Tokyo’s Nail Industry — Rebecca Scofield Annotated Guide to Further Reading for Part V Part VI: Politics of Fashion Introduction — Abby Lillethun 30. Fashioning the Colonial Subject — Barbara L. Voss 31. Khartoum at Night — Marie Grace Brown 32. The Soul Wide World: The “Afro Look” in South Africa from the 1970s to the New Millennium — Tanisha C. Ford 33. How White Became the Color of Suffrage — Einav Rabinovitch-Fox 34. Worker Rights, Factory Inspection, and Fashion — Richard McIntyre 35. Trade Policies and the Textiles and Apparel Industries — Arthur C. Mead Annotated Guide to Further Reading for Part VI Part VII: Fashion and the Body Introduction — Abby Lillethun 36. The Cultural Heritage of Tattooing: A Brief History — Lars Krutak 37. Consumptive Corsetry and Romantic Fashion — Carolyn A. Day 38. Outcomes of Plastic Surgery — Charlotte N. Markey and Patrick M. Markey 39. Hair and Human Identity — Sarah Cheang and Geraldine Biddle-Perry 40. Disciplining Corpulence: The Case of Plus-Size Fashion Models — Amanda M. Czerniawaski Annotated Guide to Further Reading for Part VII Part VIII: Fashion and Art Introduction — Linda Welters 41. Fashion — Valerie Steele 42. Putting Artwear in Context — Melissa Leventon 43. Curating Chanel — Nick Rees-Roberts 44. One Work: Elsa Schiaparelli & Salvador Dalí: The Tears Dress (1938) — Ella Plevin 45. Dynamic Static — Nicole Archer Annotated Guide to Further Reading for Part VIII Part IX: Fashion, Media and Communication Introduction — Linda Welters 46. Jacqueline Kennedy Onassis — Kathleen Craughwell-Varda 47. Film Stars as Fashion Icons — Pamela Church Gibson 48. Style Narratives: Sixties in the Twenty-First Century — Heike Jenss 49. The Celebrity as Designer of His/Her Own Fashion Brand — Marta Martina and Silvia Vacirca 50. A Global Discourse: The New Millennium — Kate Nelson Best Annotated Guide to Further Reading for Part IX Part X: From Haute Couture to the Street Introduction — Linda Welters 51. The Dressmaking World — Thérèse Bonney and Louise Bonney 52. A New House, a New Femininity — Alexandra Palmer 53. Trickle Down, Bubble Up — Ted Polhemus 54. Punks and Pirates: The Costiff Collection of Vivienne Westwood — Sonnet Stanfill 55. Connoisseurs of Trash in a World Full of It — Jennifer Le Zotte Annotated Guide to Further Reading for Part X Part XI: Design and Manufacture Introduction — Linda Welters 56. The Future of Fashion Forecasting — Regina Lee Blasczyk and Ben Wubs 57. Hedi Slimane and the Reinvention of Menswear — Jay McCauley Bowstead 58. At Work in the Vintage Archive — Jennifer Ayres 59. Luxury Indian Fashion — Tereza Kuldova 60. The Sweatshop, Child Labor, and Exploitation Issues in the Garment Industry — Liat Smestad Annotated Guide to Further Reading for Part XI Part XII: Marketing and Merchandising Introduction — Linda Welters 61. Spectacle — Ginger Gregg Duggan 62. Surprise Ambush: The Unexpected and Unscheduled — Nilgin Yusuf 63. The A&F Brand/Story — Anne-Peirson-Smith and Joseph H. Hancock II 64. Disruptive Business Model Innovations in the Fashion Retail Industry — Byoungho Ellie Jin and Daeun Chloe Shin 65. What Is the Future of the Fashion Show? — Steff Yotka Annotated Guide to Further Reading for Part XII Part XIII: The Fashion Business and Global Economics Introduction — Abby Lillethun 66. Made in ____ — Arthur C. Mead 67. Zara: The Business Model for Fast Fashion — Teresa M. McCarthy Byrne 68. Contemporary South Asian Youth Cultures and the Fashion Landscape — Lipi Begum and Rohit K. Dasgupta 69. Moroccan Fashion and Economics — M. Angela Jansen 70. Used Clothing Markets in the Global South — Andrew Brooks Annotated Guide to Further Reading for Part XIII Part XIV: Sustainability and Fashion Introduction — Linda Welters 71. Textile Production — Leslie Davis Burns 72. The Filippa K Story — Kerli Kant Hvass 73. Sustainability in Textiles and Fashion: How Far Have We Come Since 2000? — Martin Bide Annotated Guide to Further Reading for Part XIV Part XV: Future of Fashion Introduction — Linda Welters and Abby Lillethun 74. Amazon Has Developed an AI Fashion Designer — Will Knight 75. Sewing Up a Storm: How Robots and Other New Technologies are Shaping a New Era of Manufacturing — Kilara Le 76. Forecasting Fashion’s Future — Abby Lillethun and Linda Welters Annotated Guide to Further Reading for Part XV Bibliography Index

Linda Welters is Professor of Textiles, Fashion Merchandising and Design at the University of Rhode Island, USA. She is the editor of the Bloomsbury series “Textiles That Changed the World.” Abby Lillethun is Professor and Chair of the Department of Art and Design at Montclair State University, USA. She co-authored Fashion History: A Global View (2018) with Linda Welters.

Reviews for The Fashion Reader

An engaging text that unpacks the interdisciplinary nature of the global fashion system with considerations of time, place, and context. Readers will gain new and critical insights into the ways various fields such as economics, psychology, geography, politics, art, culture, and business influence fashioned identities and communities. -- Kelly Reddy-Best, Iowa State University, USA Historically informed and critically integrated, The Fashion Reader sheds fresh light on key concepts in fashion studies: time, space/place, identity, and globalization. * Susan Kaiser, University of California at Davis (from 1st edition) * A panoramic collection of current and classic texts and an excellent introduction to fashion . . . from history, cultural identity, gender, through to the business, economics, manufacturing and marketing of fashion. * Pammi Sinha, University of Manchester (from 1st edition) * Presenting rich, diverse, and significant essays, The Fashion Reader will contribute to and expand the study of fashion. * Theresa M. Winge, Indiana University (from 1st edition) * An invaluable resource that covers Fashion Studies' range of disciplines and approaches, The Fashion Reader will invigorate the growing field of fashion. * Patrik Aspers, Stockholm University (from 1st edition) * This is a useful starting point that demonstrates the richness of the subject, indicates the diverse themes to be explored, and the variety of approaches it is possible to take in examining both contemporary and historical fashion. * Costume, Vol 42, 2008 (from 1st edition) *


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