This book provides the first ever in-depth analysis of Fariseos, a folk-Catholic tradition performed during Holy Week in the small town of San Pedro de la Cueva located in the state of Sonora, Mexico.
Utilizing folklore studies and performance theory, Guillermo Núñez Noriega delves deep into the meaning of this rich cultural tradition. Translated into English for the first time, this in-depth study explores the religious and socio-cultural paradoxes and counternarratives surrounding the festivities, with particular emphasis on expressions of masculinity and the community’s sense of morality. Through interviews, witness testimony, and sophisticated theoretical framing, this book reveals the complexity behind the scenes of this under studied folk religious tradition.
List of Figures Acknowledgements Preface Introduction Chapter 1 Gender, Morals, and Folklore Chapter 2 Holy Week Chapter 3 The Geographical Context: San Pedro de la Cueva, Sonora Mexico Chapter 4 How Was the Folklore of the Fariseos Studied? Chapter 5 Context, Text, and Texture Chapter 6 The Performance as a Complex Symbolic Structure Chapter 7 Public Expression of Forbidden Impulses and Paradoxes of the Fariseo Performance Chapter 8 The Fariseo Performance and the Social Sphere: Trends and Challenges Chapter 9 Conclusions: The Multiple Functions of Folklore References About the Author and Editor
Guillermo Núñez Noriega is a professor and researcher at the Research Center for Food and Development, A.C. Norma Elia Cantú is the Norine R. and T. Frank Murchison Distinguished Professor of the Humanities at Trinity University.
Reviews for The Fariseos Folk Tradition of San Pedro de la Cueva, Sonora: Morality and Masculinity
Núñez Noriega and Cantú’s study of the fariseos tradition insightfully probes how this folkloric expression enacts and rescripts the moral and gender imperatives of a community in Sonora, Mexico, located in the ancestral lands of the Opata. As a collective enactment of “catechesis” and “catharsis,” the social drama of the fariseos offers a critical window to grapple with the ludic, erotic, and irrational dramatization of pleasure, aggression, and transgression. Núñez Noriega and Cantú masterfully illustrate how such a folk tradition codifies religious, cultural, and political demands while allowing the community to rehearse, experience, and negotiate compulsory performances of masculinity, morality, and sexuality. * Manuel R. Cuellar, Associate Professor of Latin American and Latinx Studies, George Washington University, USA *