The Face

Fascinating.... Intriguing.... This is certainly a very different type of autobiography, and a welcome one at that.... Written in Ozeki's inimitably calming and charming style, there is nothing more to say except that this little book is a delight from start to finish. If you've ever read and loved any of Ozeki's works, you won't want to miss getting to know her better. I'm giving it five out of five stars. -- Davida Charzan * The Chocolate Lady's Book Reviews * What stories can a face tell? This is the premise of The Face series from Restless Books, in which authors write an essay using their face as a focal point. Sound crazy? Well wait till you hear how Ruth Ozeki, Zen Buddhist priest and novelist, decided to stare at her face for three uninterrupted hours as the inspiration behind her book. Through this exercise of `immersive attention,' Ozeki writes a fascinating essay-memoir on heritage, ancestors and aging. -- Sarah Ladip?` Manyika * Ozy * I couldn't help but marvel at Ruth Ozeki's willingness to undertake the experiment that, moment by moment, she records in her book.... It's remarkable to see how far this river journey takes her.... In an honest and unadorned way, as Ruth Ozeki dares to stare at her own aging and unadorned face, she simultaneously dares to share with the reader her own mind's foundering in dislike and like. And because she dares to stay with the foundering-whether what she sees is unbearable, beautiful, or somewhere in between-the mind's essential peace, her own original face, keeps shining through. -- Noelle Oxenhandler * Tricycle * One of the most compelling through-lines is not surprisingly the problematics of a mixed race upbringing . . . It is fascinating to hear about Ozeki's life . . . Ozeki squarely considers the thorny politics around aging and questions of beauty. Here, Ozeki ponders the kinds of decisions that go into things like plastic surgery and an author's publicity photo. As always, Ozeki injects humor into her prose, a characteristic of all of her earlier publications, making this reading experience undoubtedly captivating. -- Stephen Hong Sohn * Asian American Literature Fans * Throughout Ozeki's essay her refreshing and cultivated wisdom leads us through the mind of a compassionate, grounded human and a writer of real integrity. -- Melody Nixon * Electric Literature * The Face, as with the best of literary nonfiction, incorporates elements of memoir and essay, conjecture and meditation, allowing the reader to accompany each author as he or she creates a text that is utterly unique and universally affecting. Each book, on its own, is quirky, funny, sad, and profound; taken together, they have much to tell us about the culture at large, the ties that bind, and the truth - painful, hopeful, reassuring, provocative - of our place on the continuum as daughters, sons, and citizens. It's a brilliant idea: give a bunch of good writers a prompt that is at once personal and political, and you're bound to send readers running to the mirror, turning this way and that in an effort to reckon with who they are and who they want to be. -- Dinah Lenney * Los Angeles Review of Books * This long essay, like the experiment it describes, is strange in the best sense, plus funny, moving and deeply wise. -- Porter Shreve * San Francisco Chronicle * Ruth Ozeki, a Zen Buddhist priest, sets herself the task of staring at her face in a mirror for three full, uninterrupted hours; her ruminations ripple out from personal and familial memories to wise and honest meditations on families and aging, race and the body. -- Patricia Hagen * Minneapolis Star Tribune *