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The Experience of Pain

Carlo Emilio Gadda

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English
Penguin
28 January 2025
The first novel from one of Italy's most innovative writers of the 20th century

'The seething cauldron of life, the infinite stratification of reality, the inextricable tangle of knowledge are what Gadda wants to depict.' Italo Calvino

At the height of Fascist rule in Italy and following the death of his mother, Carlo Emilio Gadda began work on his first novel, The Experience of Pain. This portrait of a highly educated young man whose anger and frustration frequently erupt in ferocious outbursts directed towards his ageing mother is a powerful critique of the society of his time and the deep wounds inflicted on his generation. Set in a fictional South American country, The Experience of Pain is at once richly imaginative and intensely personal- the perfect introduction to Gadda's innovative style and literary virtuosity.

Translated by Richard Dixon
By:  
Imprint:   Penguin
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 14mm
Weight:   192g
ISBN:   9780241706992
ISBN 10:   0241706998
Series:   Penguin Modern Classics
Pages:   256
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

One of the most distinctive Italian writers of the twentieth century, Carlo Emilio Gadda was born in Milan in 1893. An electrical engineer by profession, Gadda published many short stories before beginning work on his first novel The Experience of Pain. He received critical acclaim for his revolutionary use of language and narrative form, and is often compared to James Joyce in this respect. His other works include That Awful Mess on Via Merulana.

Reviews for The Experience of Pain

His best work . . . among the most powerful passages in 20th-century Italian fiction. The drama of the book lies in the son's extremely aggressive behaviour towards his mother, prompted by her relaxed openness to the world . . . Gadda's achievement in evoking a chaotic world is simultaneously a declaration of his disinclination and perhaps inability to enter into a direct relationship with it.—Tim Parks, London Review of Books Gadda was brought up in and belongs to a time in which it proved impossible to view the world as a whole - a magma of disorder, corruption, hypocrisy, stupidity, injustice - from the vantage of hope . . . His anguish is without remedy; his style obsessive and tragically mixed.—Pier Paolo Pasolini Visceral . . . superabundant . . . comedy, humour, grotesque metamorphosis are natural means of expression for this man whose life was always unhappy, tormented by neurosis, by the difficulty of relations with others, by the anguish of death—Italo Calvino


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