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The Divine Comedy

Inferno; Purgatorio; Paradiso (in one volume); Introduction by Eugenio Montale

Dante Alighieri Allen Mandelbaum

$82.95   $74.79

Hardback

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English
Everyman Hardcovers
01 August 1995
This beautiful hardcover edition–containing all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations.

The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. 

Allen Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets.

Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman’s Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
By:  
Translated by:  
Imprint:   Everyman Hardcovers
Country of Publication:   United States
Dimensions:   Height: 211mm,  Width: 135mm,  Spine: 46mm
Weight:   828g
ISBN:   9780679433132
ISBN 10:   0679433139
Series:   Everyman's Library Classics Series
Pages:   798
Publication Date:  
Audience:   College/higher education ,  General/trade ,  A / AS level ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Out of Print

Reviews for The Divine Comedy: Inferno; Purgatorio; Paradiso (in one volume); Introduction by Eugenio Montale

The English Dante of choice. -Hugh Kenner Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths. -Robert Fagles, Princeton University A marvel of fidelity to the original, of sobriety, and truly, of inspired poetry. -Henri Peyre, Yale University The English Dante of choice. -Hugh Kenner Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths. -Robert Fagles, Princeton University A marvel of fidelity to the original, of sobriety, and truly, of inspired poetry. -Henri Peyre, Yale University The English Dante of choice. Hugh Kenner Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths. Robert Fagles, Princeton University A marvel of fidelity to the original, of sobriety, and truly, of inspired poetry. Henri Peyre, Yale University The English Dante of choice. Hugh Kenner Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths. Robert Fagles, Princeton University A marvel of fidelity to the original, of sobriety, and truly, of inspired poetry. Henri Peyre, Yale University The English Dante of choice. -Hugh Kenner Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths. -Robert Fagles, Princeton University A marvel of fidelity to the original, of sobriety, and truly, of inspired poetry. -Henri Peyre, Yale University The English Dante of choice. - Hugh Kenner Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths. - Robert Fagles, Princeton University A marvel of fidelity to the original, of sobriety, and truly, of inspired poetry. - Henri Peyre, Yale University The English Dante of choice. -Hugh Kenner Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths. -Robert Fagles, Princeton University A marvel of fidelity to the original, of sobriety, and truly, of inspired poetry. -Henri Peyre, Yale University


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