Jack Kerouac wrote a number of hugely influential and popular novels. He is remembered as one of the key figures of the legendary Beat generation. As much as anything, he came to represent a philosophy, a way of life. Ann Douglas is Professor of Comparative Literature at Columbia University. She has published numerous essays, articles and book reviews on American culture in papers and periodicals such as The New York Times, The Nation and Slate, and introductions for Little Women, Uncle Tom's Cabin and The Subterraneans among others. Prof. Douglas teaches twentieth-century American literature, film, music, and politics, with an emphasis on the Cold War era, African-American culture, and post-colonial approaches. She is currently at work on a book, Noir Nation: Cold War U.S. Culture 1945-1960.
Up for air after The Subterraneans- way up (mountain climbing is the new kick) are the Dharma Bums, Ray Smith, Japhy Ryder- a high-domed hepcat, and some of their Zen Lunatic friends who have been chewing their cuds, sipping muscatel, junking, holding Zen Fun Love Orgies (no celibate Buddhists these) in the cellars of San Francisco. Under the influence of Japhy, Ray is also introduced to the simpler splendors of the great outdoors- the cook-out and the sleeping bag- as well as the happy abandon of leaping and yelling from crag to crag on a big climb. They come down and Ray travels home (the transcontinental transcendentalism of On The Road here), hoofs it back from North Carolina to go up Desolation Peak- looking for the Great Truth, after the months of cut-off-ness, snipped, blownoutness, putoutness, turned-off-ness, nothing-happens- ness, gone-ness, gone-out-ness .... There, high on a hilltop, it is revealed, the search ends- and except for those dedicated, nirvana will never have seemed nearer. (Kirkus Reviews)