""One must make films with this knowledge: there's no point anymore. Let film meet its end, that's the only cinema.""
The Darkroom contains the script for Marguerite Duras's 1977 radically experimental film Le camion (The Truck). Between images of a truck in motion, juxtaposed voiceovers, and cutaways to Duras in conversation with Gérard Depardieu, Le camion turns the art of film into a means of enabling the viewer to engage multiple faculties-not only the visual and the aural, but also memory, imagination, and desire.
Also included here is a series of short essays in which Duras makes provocative connections between film and textuality, as well as a fascinating dialogue with Michelle Porte. Together amounting to a crucial contribution to the field of film theory, these texts make brilliantly apparent the depth and integrity of Duras's aesthetic, philosophical, and political thinking.
By:
Marguerite Duras Introduction by:
Jean-Luc Nancy Translated by:
Alta Ifland, Eireene Nealand Imprint: ERIS Country of Publication: United Kingdom Edition: New Edition Dimensions:
Height: 231mm,
Width: 132mm,
ISBN:9781916809598 ISBN 10: 1916809596 Series:Critical Century Pages: 156 Publication Date:25 March 2025 Audience:
General/trade
,
ELT Advanced
Format:Paperback Publisher's Status: Active
Marguerite Duras (1914–96) was a French writer and filmmaker. Among her many works was the screenplay for Hiroshima mon amour.