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English
Bloomsbury Visual Arts
28 May 2020
From sweatshops to fur farming, from polluting chemicals to painful garments, the fashion industry is associated with activities which have had devastating effects on workers, consumers, and the natural world. This ground-breaking volume provides a framework for examining the ethical, social, and environmental dangers that arise as fashion products are designed, manufactured, distributed, and sold within retail outlets, before being consumed and disposed of. Encompassing the cultural, psychological, and physiological aspects of fashion, it offers a comprehensive exploration of the hazards of a global industry.

Drawing together an international team of leading textile and apparel experts, The Dangers of Fashion presents original perspectives on a wide range of topics from piracy and counterfeiting to human trafficking; from the effects of globalization on local industry to the peer pressure that governs contemporary ideals of beauty. Rooted in research into industry and consumer practices, it discusses innovative solutions—both potential and existing—to fashion’s dangers and moral dilemmas from the viewpoint of individuals, companies, societies, and the global community.
Edited by:   , , ,
Imprint:   Bloomsbury Visual Arts
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 156mm,  Spine: 18mm
Weight:   590g
ISBN:   9781350052048
ISBN 10:   1350052043
Pages:   272
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Paperback
Publisher's Status:   Active
List of Illustrations Notes on Contributors Part 1 – Moral and Ethical Dangers in Fashion 1. Introduction Sara B. Marcketti and Elena E. Karpova 2. Moral Dilemmas in the Fashion Business Jung Ha-Brookshire 3. Sustainability [Must] Drive Design Elizabeth Bye 4. Stealing Fashion Designs Sara B. Marcketti, Jean Parsons, and Hallie Erdahl Part 2 – The Dangers of Making Fashion 5. Fibres and Materials: What is Fashion Made of? Huantian Cao 6. Fashion: An Unrecognized Contributor to the Climate Change Kim Y. Hiller Connell and Melody L. A. LeHew 7. The Dangers in the Fashion Supply Chain: Offshore vs. Domestic Sourcing Ting Chi and Sheng Lu 8. A Look at Labour Issues in Manufacture of Apparel through the Perspective of Human Trafficking and Modern-Day Slavery Marsha Dickson and Hayley Warren 9. Exodus to Elsewhere: Exploring the Effects of Fashion Industry Globalization on Local Communities Nancy Hodges Part 3 – The Dangers of Consuming Fashion 10. Taking offense: A discussion of fashion, appropriation, and cultural insensitivity Denise Nicole Green and Susan B. Kaiser 11. Striving to Fit In Kelly L. Reddy-Best 12. Pain in [From] Fashion Ellen McKinney and Eulanda A. Sanders Part 4 – The Dangers of Caring for and Disposing Fashion 13. A Consumer Perspective on Clothing Care: Economic, Environmental and Social Costs Pam Norum and Rachel LoMonaco-Benzing 14. Disposing Fashion: From the Ugly… Jana M. Hawley and Elena E. Karpova 15. Disposing Fashion 2: …To the Good Elena E. Karpova and Jana M. Hawley 16. Conclusion Elena E. Karpova and Sara B. Marcketti Index

Sara B. Marcketti is Director of the Center of Excellence in Learning and Teaching and Professor of Apparel, Events, and Hospitality Management at Iowa State University, USA Elena E. Karpova is Putnam and Hayes Distinguished Professor of Consumer, Apparel, and Retail Studies at the University of North Carolina at Greensboro, USA

Reviews for The Dangers of Fashion: Towards Ethical and Sustainable Solutions

The Dangers of Fashion strays into territories all too often ignored by other texts, that of the ethics and morals of producing fashion, with chapters on counterfeiting and cultural appropriation. Texts cover topics from earth to dirt and all the processes in between through a range of contributors that span content and continents to give a complete picture of the impacts of fashion. * Sass Brown, Manchester Metropolitan University, UK * This book brilliantly weaves together the fashion system's harmful and ethical uncertainties. The reader is given threads of knowledge as well as reasons for hope and urgency in what should be required reading for all. * Connie B Ulasewicz, San Francisco State University, USA *


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