PRIZES to win! PROMOTIONS

Close Notification

Your cart does not contain any items

The Crossings

Defining Slave to the Rhythm

Jeremy J. Wells (University of York)

$53.95   $45.93

Paperback

Not in-store but you can order this
How long will it take?

QTY:

English
Cambridge University Press
23 November 2023
The album Slave to the Rhythm is typical of the exaltation of pop stars but atypical in its presentation and interaction with biographical material. Three crossings are considered in this assessment of the work: technological, cultural, and structural. These are presented with a detailed track-by-track analysis using a range of signal processing techniques, some adapted specifically for this project. This Element focuses on the combination of digital, novel, and analogue technology that was used, and the organisational and transformational treatments of recorded material it offered, along with their associated musical cultures. The way in which studio technology functions, and offers interaction with its users, has a direct influence over the sound of the music that is created with it. To understand how that influence is manifested in Slave, there is considerable focus on the development and use of music technology.
By:  
Imprint:   Cambridge University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 228mm,  Width: 152mm,  Spine: 5mm
Weight:   150g
ISBN:   9781009069083
ISBN 10:   100906908X
Series:   Elements in Popular Music
Pages:   92
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active
1. Introduction; 2. Crossing one: Technology; 3. Slave to the rhythm: The text; 4. Crossing two: Culture; 5. Crossing three: Form; 6. Intersections and transitions; References.

See Also