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English
Oxford University Press Inc
13 February 2023
With a focus on music in context and a wealth of in-text and online exercises, The Complete Musician offers a complete program for teaching and learning undergraduate music theory. Rather than rote learning of concepts and memorizing terms, the text asks students to explore the ways in which theory informs and responds to the work of performers and composers, underscoring its relevance to students' wider musical lives.

By:   , , ,
Imprint:   Oxford University Press Inc
Country of Publication:   United States
Edition:   5th Revised edition
Dimensions:   Height: 203mm,  Width: 253mm,  Spine: 26mm
Weight:   1.383kg
ISBN:   9780190924508
ISBN 10:   0190924500
Pages:   960
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Paperback
Publisher's Status:   Active
PREFACE PART 1: FOUNDATIONS CHAPTER 1A Musical Space: Pitches, Scales, and Keys CHAPTER 1B Musical Time: Meter and Rhythm CHAPTER 1C Musical Distance: Intervals CHAPTER 2 Pitch and Meter Combine: Melody and Counterpoint CHAPTER 3 Triads, Seventh Chords, and Texture PART 2: FUSING MELODY, HARMONY, AND COUNTERPOINT CHAPTER 4 The Role of Context: Embellishing Tones and Melodic Shape CHAPTER 5 Tonic, Dominant, and Voice Leading CHAPTER 6 V7 and Two-Level Analysis CHAPTER 7 Expanding Tonic and Dominant with First-Inversion Triads CHAPTER 8 Inversions of V7 and Leading-Tone Seventh Chords PART 3: ESTABLISHING, EXPANDING, AND EMBELLISHING THE PHRASE MODEL CHAPTER 9 The Pre-Dominant Function and the Phrase Model CHAPTER 10 Accented and Chromatic Embellishing Tones CHAPTER 11 Six-Four Chords and Plagal Motions CHAPTER 12 Pre-Dominant Seventh Chords and Embedded Phrase Models CHAPTER 13 The Submediant and the Step-Descent Bass CHAPTER 14 The Mediant and the Back-Relating Dominant PART 4: SMALL FORMS CHAPTER 15 Periods CHAPTER 16 Sentences, Double Periods, and Asymmetric Periods AN INTERMEZZO ON MUSICAL MOTIVES PART 5: EXPRESSIVE COLOR THROUGH CHROMATICISM CHAPTER 17 Applied Chords CHAPTER 18 Modulation CHAPTER 19 Harmonic Sequences CHAPTER 20 Binary Form and Variations CHAPTER 21 Modal Mixture CHAPTER 22 Chromatic Modulation and Text-Music Relations CHAPTER 23 Neapolitan Chords CHAPTER 24 Augmented-Sixth Chords PART 6: LARGE FORMS CHAPTER 25 Ternary Form CHAPTER 26 Rondo Form CHAPTER 27 Sonata Form PART 7: NEAR, AT, AND PAST THE EDGES OF TONALITY CHAPTER 28 Tonal Ambiguity and Symmetrically Constructed Harmonies CHAPTER 29 Symmetry Stretches Tonality: Chromatic Sequences and Equal Divisions of the Octave CHAPTER 30 Centricity, Extended and Non-Tertian Sonorities, and Collections CHAPTER 31 Analysis with Sets CHAPTER 32 Metrical and Serial Techniques GLOSSARY CREDITS INDEX OF TERMS AND CONCEPTS INDEX OF MUSICAL EXAMPLES AND EXERCISES

Steven G. Laitz is chair of the Music Theory and Analysis department at The Julliard School. Michael R. Callahan is Associate Professor of Music Theory and Chair of the Music Theory Area in the College of Music at Michigan State University.

Reviews for The Complete Musician: An Integrated Approach to Theory, Analysis, and Listening

The Complete Musician is a comprehensive theory textbook with a linear approach, with aural skills and keyboard, and numerous activities and examples that illustrate each topic well. -David Thurmaier, University of Missouri-Kansas City This textbook makes important concepts in music theory accessible to the student in a way that is both clear and concise. Laitz's knowledge of both music-theory pedagogy and the repertoire is superlative, which results in a text that is beneficial to use in the entirety of the music-theory sequence. -Michael Chikinda, University of Utah


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