PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY
Alan Bennett has been one of our leading dramatists since the success of Beyond the Fringe in the 1960s. His television series Talking Heads has become a modern-day classic, as have many of his works for the stage and screen including Forty Years On, The Lady in the Van, A Question of Attribution, The Madness of George III and The History Boys.
[Alan Bennett] is a prose stylist of disarming grace and humor. --The New York Times Book Review Bennett's genius is for the imploding situation in which a cleverly made house of cards shudders and comes down; the comments of his characters as they nimbly pick their way around the wreckage verge on aphorism. --The New Yorker In the hands of Alan Bennett, the tragic and painful are close bedfellows with the funny and the sexual, making for a collection of stories in which we laugh at the situations presented and then feel a twinge of guilt. --Los Angeles Times [Alan Bennett] is a prose stylist of disarming grace and humor. The New York Times Book Review Bennett's genius is for the imploding situation in which a cleverly made house of cards shudders and comes down; the comments of his characters as they nimbly pick their way around the wreckage verge on aphorism. The New Yorker In the hands of Alan Bennett, the tragic and painful are close bedfellows with the funny and the sexual, making for a collection of stories in which we laugh at the situations presented and then feel a twinge of guilt. Los Angeles Times [Alan Bennett] is a prose stylist of disarming grace and humor. The New York Times Book Review Bennett's genius is for the imploding situation in which a cleverly made house of cards shudders and comes down; the comments of his characters as they nimbly pick their way around the wreckage verge on aphorism. The New Yorker In the hands of Alan Bennett, the tragic and painful are close bedfellows with the funny and the sexual, making for a collection of stories in which we laugh at the situations presented and then feel a twinge of guilt. Los Angeles Times
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