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Colours of Art

The Story of Art in 80 Palettes

Chloë Ashby

$55

Hardback

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English
Frances Lincoln Publisher
01 August 2022
Colours of Art takes the reader on a journey through history via 80 carefully curated artworks and their palettes. For these pieces, colour is not only a tool (like a paintbrush or a canvas), but the fundamental secret to their success. Colour allows artists to express their individuality, evoke certain moods and portray positive or negative subliminal messages. And throughout history, the greatest of artists have experimented with new pigments and new technologies to lead movements and deliver masterpieces. But as something so cardinal, we sometimes forget how poignant colour palettes can be, and how much they can tell us.

When Vermeer painted The Milkmaid, the amount of ultramarine he could use was written in the contract. How did that affect how he used it? When Turner experimented with Indian Yellow, he captured roaring flames that brought his paintings to life. If he had used a more ordinary yellow, would he have created something so extraordinary? And how did Warhol throw away the rulebook to change what colour could achieve?

For the works in this book, colour isn't just a basic artistic tool, but the critical component to their success. Structured chronologically, Colours of Art provides a fun, intelligent and visually engaging look at the greatest artistic palettes in art history - from Rafael's use of perspective and Vermeer's ultramarine, to Andy Warhol's hot pinks and Lisa Brice's blue women.

Colours of Art offers a refreshing take on the subject and acts as a primer for artists, designers and art lovers who want to look at art history from a different perspective.

By:  
Imprint:   Frances Lincoln Publisher
Country of Publication:   United Kingdom
Dimensions:   Height: 245mm,  Width: 190mm, 
Weight:   800g
ISBN:   9780711258044
ISBN 10:   071125804X
Pages:   256
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active
Introduction 1. First impressions Stone Age, Egypt, Ancient Greece and Rome Feature: The nature of colour - how artists created natural colours. Horses, from the Chauvet cave near the Pont d'Arc Bison, from Altamira Nebamun Hunting Birds, from the tomb of Nebamun Tomb of the Diver2. Ordering the world The RenaissanceFeature: A roaring trade - on the colour trade and the cost/availability of colours Lamentation, Giotto Saint Ansanus Altarpiece, Simone Martini and Lippo Memmi The Wilton Diptych Saints Jerome and John the Baptist, Masaccio Portrait of a Man with a Turban, Jan van Eyck The Magdalen Reading, Rogier Van der Weyden The Birth of Venus, Sandro Botticelli The Rape of Europa, Titian Philip II, Sofonisba Anguissola Portrait of Bianca Degli Utili Maselli surrounded by six of her children, Lavinia Fontana3. Cutting loose Baroque to RococoFeature: The colour wheel - on Isaac Newton's discovery of the colour spectrum, and his error - trusting maths over the sensations of the eye Rest on the Flight into Egypt, Caravaggio Judith and her Maidservant with the Head of Holofernes, Artemisia Gentileschi The Toilet of Venus (The Rokeby Venus), Diego Velazquez Rising and Setting of the Sun, Francois Boucher Colour, Angelica Kauffman Self-Portrait with Straw Hat, Elisabeth Louise Vigee Le Brun4. Keeping it real RealismFeature: Risky business - on poisonous colours and artists risking their lives for their work. Still Life with Cheeses, Artichoke and Cherries, Clara Peeters A Woman Bathing in a Stream, Rembrandt van Rijn The Goldfinch, Carel Fabritius The Milkmaid, Johannes Vermeer Flowers in a Vase, Rachel Ruysch5. Two sides of a coin Neoclassicism to RomanticismFeature: How we see colour - on Goethe's new symmetrical colour wheel and physiological theories. Albion Rose, William Blake Portrait of a Negress, Marie-Guillemine Benoist Orphan Girl at the Cemetery, Eugene Delacroix The Burning of the Houses of Parliament , Joseph Mallord William Turner Comtesse d'Haussonville, Jean-Auguste-Dominique Ingres6. Let there be light The Impressionist RevolutionFeature: Colour chemistry - on the industrialisation of colour and the making of synthetic pigments. Two Women Chatting by the Sea, Camille Pissarro Young Woman with Peonies, Frederic Bazille Symphony in Flesh Color and Pink: Portrait of Mrs Frances Leyland, by James Abbott McNeill Whistler Berthe Morisot with a Bouquet of Violets, Edouard Manet In the Country (After Lunch), Berthe Morisot Combing the Hair, Edgar Degas The Child's Bath, Mary Cassatt Waterloo Bridge, Blurred Sun, Claude Monet7. On the edge of the spectrum Post-Impressionists, Pre-Raphaelites, Les Nabis, SurrealistsFeature: Colour decorum - on the relativity of colour and its use and reception in different cultural contexts. (An opportunity to touch on non-Western art.) Night and Sleep, Evelyn de Morgan The Suitor, Edouard Vuillard The Visit, Felix Vallotton Interior. Strandgade 30, Vilhelm Hammershoi Barbarian Tales, Paul Gauguin The Life, Pablo Picasso The Green Blouse, Pierre Bonnard The Two Fridas, Frida Kahlo The Old Maids, Leonora Carrington8. Express yourself Expressionism and FauvismFeature: The psychology of colour - on colour communicating and sparking emotion. Two Crabs, Vincent van Gogh The Scream, Edvard Munch Self-portrait on Sixth Wedding Anniversary, Paula Modersohn-Becker Group X, No.1, Altarpiece, Hilma af Klint The Yellow Scale, Frantiek Kupka The Dessert: Harmony in Red, Henri Matisse Seated Woman with Legs Drawn Up (Adele Herms), Egon Schiele Still Life with Blackening Apples, by Helene Schjerfbeck9. Seeing it feelingly Abstract Expressionism and Colour Field PaintingFeature: Properties of colour - on hue, intensity and tone, and the changing precedence of each throughout art history Electric Prisms, Sonia Delaunay Mountains and Sea, Helen Frankenthaler Bird Talk, Lee Krasner No. 11 (Untitled), Mark Rothko Ocean Park #79, Richard Diebenkorn10. Show some restraint Monochrome and MinimalismFeature: The Pantone palette - on attempts to create a universal colour language. Plus Pantone's predecessors, eg Werner's Nomenclature of Colours (1814). Homage to the Square: Apparition, Joseph Albers The Marriage of Reason and Squalor, II, Frank Stella IKB 79, Yves Klein White Stone, Agnes Martin11. By popular demand Pop Art to The Pictures GenerationFeature: Anything is possible - on new materials and colour experimentation outside of the medium of painting. Colour Her Gone, Pauline Boty Ice Cream, Evelyne Axell Untitled (Your Body is a Battleground), Barbara Kruger A Bigger Splash, David Hockney Ladies and Gentlemen (Iris), Andy Warhol12. Here and Now Contemporary art from the 1970sFeature: The colour of art history - on artists painting black figures into the mostly white canon. Self-Portrait, Alice Neel Self-Portrait, Basquiat Untitled, Etel Adnan To Tell Them There It's Got To, Lynette Yiadom-Boakye Spinners (Moths and Spiders Webs), Kiki Smith Slaughter of the Innocents (They Might be Guilty of Something), Kara Walker Shantavia Beal II, Kehinde Wiley Boucher's Flesh, Flora Yukhnovich The Ruling Class (Eshu), Toyin Ojih Odutola Sabine, Alison Watt Untitled, Lisa BriceIndex Further reading Picture credits Acknowledgements

Chloe Ashby is a writer and editor. Since graduating from the Courtauld Institute of Art, she has written about art and culture for the TLS, Guardian, FT Life & Arts, Spectator, Apollo, frieze and others. She is the author of The Colours of Art: The Story of Art in 80 Colour Palettes, which will be published by Frances Lincoln in spring 2022. Her short fiction has appeared in The London Magazine and The Fairlight Book of Short Stories. Her first novel, Wet Paint, will be published by Trapeze, also in spring 2022.www.chloeashby.com

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