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The Cognitive Impact of Contemporary Television Series

Amanda R. Martinez Leandra H. Hernández Jesús Jiménez-Varea Alberto Hermida

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English
Peter Lang Publishing Inc
11 March 2025
Television serial fiction is one of the most popular cultural products around the world today, and there is much indirect evidence that its stories influence the understanding of those who watch and enjoy it. All the chapters gathered in this collection address the idea that the specific aesthetic and narrative properties of television seriality contribute to distinct ways of conveying cognitive impact in a broad sense: from content learning, to reflection on social and philosophical issues, to character engagement and emotional reactions. The Cognitive Impact of Contemporary Television Series goes through some of the thematic constants of the last decade of television seriality, such as dystopia, coming-of-age or metaphysical drama, making panoramic views and delving into specific case studies, like The Purge, The End of the F
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*ing World and Undone, among many others. This book will be of interest to graduate students and scholars working in television studies, as well as in film studies, cognitive media theory, media psychology, and aesthetics.
Edited by:   ,
Series edited by:   ,
Imprint:   Peter Lang Publishing Inc
Country of Publication:   United States
Edition:   New edition
Volume:   6
Dimensions:   Height: 229mm,  Width: 152mm, 
Weight:   288g
ISBN:   9781433199936
ISBN 10:   1433199939
Series:   Cultural Media Studies
Pages:   176
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Jesús Jiménez-Varea holds a Master of Science in Theoretical Physics and a PhD in Media and Communication from the Universidad de Sevilla (Spain), where he is an Associate Professor. His works on seriality, comics, vigilantism, violence, and ideology have appeared in international journals and collections. Alberto Hermida is an Associate Professor in Media and Communication from the Universidad de Sevilla (Spain). He holds a PhD in Communication Studies and his main lines of research and teaching are digital image and aesthetics, mise-en-scène in film and television, and seriality.

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