Annie-B Parson is an award-winning choreographer and co-founder of the OBIE and Bessie Award–winning Big Dance Theater. Ms. Parson has created choreography for opera, pop stars, television, theater, ballet, symphonies, objects, museums, augmented reality, and 1,000 amateur singers. Among many others, she has choreographed for David Byrne, St Vincent, David Bowie, Laurie Anderson, Esperanza Spaulding, and Mikhail Baryshnikov.
A gorgeous meditation on dance, visual art, and literature, as well as living, loving, and mourning. Parsons brings to the page the starling quality of her introspective, astounding, and lyrical stage work, urging us to look more closely at those small and large moments that steer us through the dance of life. -- Edwidge Danticat, author of <i>Create Dangerously</i> Bodies in space . I have heard Annie-B use this phrase dozens of times. It occurs to me this phrase refers to choreography and dance, but is also a transposable life philosophy...Of all the ways to move a body in space, through space, Annie-B creates the stage to have the most beautiful and beguiling ones be seen. -- St. Vincent I'm a long time fan of Annie-B's work. I see in it the quotidian made extraordinary...the familiar made foreign. -- David Byrne Parson's path is one that continues to push the boundaries of dance -- Dan Meyer * Playbill * The choreographer who democratized dance. * Financial Times * In this quiet, minute and understatedly virtuosic text, Annie-B Parson walks us through the intricate dances of pedestrianism and domesticity. Gently but firmly pressing back against linear heroic narratives that have tended to efface the practices of women artists, she braids together strands of beauty, resistance and reverie, slyly pulling her readers into an exquisite, inclusive choreography of living. -- Barbara Browning, author of <i>The Gift</i> Traipsing from The Odyssey to Trisha Brown, Hilma af Klint to Anne Carson, Parson braids together ideas through words and illustrations as she touches on the connections between protest, ritual and spectacle, how the pandemic asked pedestrians to rechoreograph their relationship to other bodies in space, Zoom and Tik Tok as creative forms, and more. -- Courtnney Escoyne * Dance Magazine *