PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY

Close Notification

Your cart does not contain any items

$245.95

Hardback

Not in-store but you can order this
How long will it take?

QTY:

English
Cambridge University Press
06 June 2019
This Handbook surveys the state of the art in literary authorship studies. Its 27 original contributions by eminent scholars offer a multi-layered account of authorship as a defining element of literature and culture. Covering a vast chronological range, Part I considers the history of authorship from cuneiform writing to contemporary digital publishing; it discusses authorship in ancient Egypt, Greece, Rome, early Jewish cultures, medieval, Renaissance, modern, postmodern and Chinese literature. The second part focuses on the place of authorship in literary theory, and on challenges to theorizing literary authorship, such as gender and sexuality, postcolonial and indigenous contexts for writing. Finally, Part III investigates practical perspectives on the topic, with a focus on attribution, anonymity and pseudonymity, plagiarism and forgery, copyright and literary property, censorship, publishing and marketing and institutional contexts.

Edited by:   , , ,
Imprint:   Cambridge University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 235mm,  Width: 159mm,  Spine: 26mm
Weight:   940g
ISBN:   9781107168657
ISBN 10:   1107168651
Pages:   504
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active

Ingo Berensmeyer is Professor of Modern English Literature at the Ludwig-Maximilians-Universität München and a visiting professor at Ghent University. His previous publications include Mendacity in Early Modern Literature and Culture (co-edited with Andrew Hadfield, 2016), and over seventy essays in collections and journals, including New Literary History, Poetics Today, Studies in English Literature 1500–1900, Anglia, and Poetica. Gert Buelens is senior full Professor of English and American Literature at Ghent University. His previous publications include The Future of Trauma Theory (co-edited with Durrant and Eaglestone, 2013), and over sixty essays in collections and journals, including Dickens Quarterly, Wallace Stevens Journal, Modern Philology, Texas Studies in Literature and Language, Diacritics, Studies in the Novel, Textual Practice, Criticism, and PMLA. Marysa Demoor is senior full Professor of English Literature at Ghent University and a life member of Clare Hall, Cambridge. She is the author of Their Fair Share: Women, Power and Criticism in the Athenaeum, from Millicent Garrett Fawcett to Katherine Mansfield, 1870–1920 (2000) and the editor of Marketing the Author: Authorial Personae, Narrative Selves and Self-Fashioning, 1880–1930 (2004). With Laurel Brake, she edited The Lure of Illustration in the Nineteenth Century: Picture and Press (2009) and the Dictionary of Nineteenth-Century Journalism (2009).

Reviews for The Cambridge Handbook of Literary Authorship

'The volume has a useful thematic bibliography allowing for further investigation of many of the topics covered here ... This volume is recommended for those interested in the ways that authors interact with other parts of the book trade, including publishers and booksellers, and is very important for readers wanting to learn about the various meanings of authorship across time and place.' Catherine Armstrong, Publishing History 'Literary authorship entails much more than composing texts that form aesthetic wholes. A host of other elements factor into the process, and for those interested in the dynamics of the phenomenon, there is no better source to consult than this handbook, which provides a comprehensive survey of the burgeoning field of intellectual inquiry and looks at the cultural peregrinations of a species erroneously thought by many to be extinct - the author.' H. I. Einsohn, Choice


See Also