Ingo Berensmeyer is Professor of Modern English Literature at the Ludwig-Maximilians-Universität München and a visiting professor at Ghent University. His previous publications include Mendacity in Early Modern Literature and Culture (co-edited with Andrew Hadfield, 2016), and over seventy essays in collections and journals, including New Literary History, Poetics Today, Studies in English Literature 1500–1900, Anglia, and Poetica. Gert Buelens is senior full Professor of English and American Literature at Ghent University. His previous publications include The Future of Trauma Theory (co-edited with Durrant and Eaglestone, 2013), and over sixty essays in collections and journals, including Dickens Quarterly, Wallace Stevens Journal, Modern Philology, Texas Studies in Literature and Language, Diacritics, Studies in the Novel, Textual Practice, Criticism, and PMLA. Marysa Demoor is senior full Professor of English Literature at Ghent University and a life member of Clare Hall, Cambridge. She is the author of Their Fair Share: Women, Power and Criticism in the Athenaeum, from Millicent Garrett Fawcett to Katherine Mansfield, 1870–1920 (2000) and the editor of Marketing the Author: Authorial Personae, Narrative Selves and Self-Fashioning, 1880–1930 (2004). With Laurel Brake, she edited The Lure of Illustration in the Nineteenth Century: Picture and Press (2009) and the Dictionary of Nineteenth-Century Journalism (2009).
'The volume has a useful thematic bibliography allowing for further investigation of many of the topics covered here ... This volume is recommended for those interested in the ways that authors interact with other parts of the book trade, including publishers and booksellers, and is very important for readers wanting to learn about the various meanings of authorship across time and place.' Catherine Armstrong, Publishing History 'Literary authorship entails much more than composing texts that form aesthetic wholes. A host of other elements factor into the process, and for those interested in the dynamics of the phenomenon, there is no better source to consult than this handbook, which provides a comprehensive survey of the burgeoning field of intellectual inquiry and looks at the cultural peregrinations of a species erroneously thought by many to be extinct - the author.' H. I. Einsohn, Choice