This Companion presents a new understanding of the relationship between music and culture in and around the nineteenth century, and encourages readers to explore what Romanticism in music might mean today. Challenging the view that musical 'romanticism' is confined to a particular style or period, it reveals instead the multiple intersections between the phenomenon of Romanticism and music. Drawing on a variety of disciplinary approaches, and reflecting current scholarly debates across the humanities, it places music at the heart of a nexus of Romantic themes and concerns. Written by a dynamic team of leading younger scholars and established authorities, it gives a state-of-the-art yet accessible overview of current thinking on this popular topic.
Edited by:
Benedict Taylor (University of Edinburgh)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions:
Height: 244mm,
Width: 170mm,
Spine: 24mm
Weight: 842g
ISBN: 9781108475433
ISBN 10: 1108475434
Series: Cambridge Companions to Music
Pages: 320
Publication Date: 26 August 2021
Audience:
College/higher education
,
Professional and scholarly
,
Primary
,
Undergraduate
Format: Hardback
Publisher's Status: Active
List of illustrations; List of musical examples and tables; List of contributors; Preface; Chronology; Part I. Horizons: 1. Defining the indefinable: romanticism and music Benedict Taylor; 2. The emergence of romanticism Keith Chapin; Part II. Worlds: 3. Music in romantic literature and poetry Miranda Stanyon; 4. Music, romantic landscape, and the visual Thomas Peattie; 5. Romanticism, the folk, and musical nationalisms Matthew Gelbart; 6. Music, romanticism, and politics Katherine Hambridge; 7. Music and technology John Tresch; 8. Music, magic, and the supernatural Francesca Brittan; 9. A kingdom not of this world: music, religion, art-religion James Garratt; Part III. Aesthetics: 10. Music in early German romantic philosophy Tomas McAuley; 11. Meaning and value in romantic musical aesthetics Alexander Wilfing; 12. Music and romantic interiority Holly Watkins; 13. Music, expression, and the aesthetics of authenticity Karen Leistra-Jones; Part IV. Practices: 14. Romantic languages Julian Horton; 15. Romantic forms Steven Vande Moortele; 16. Romanticism and the ideal of song Lisa Feurzeig; 17. Music staged and unstaged Sarah Hibberd; 18. Romanticism and performance Dana Gooley; Part V. Histories: 19. Musical romanticism as a historiographical construct Nicole Grimes; 20. The end(s) of musical romanticism Sebastian Wedler; Select bibliography; Index.
Benedict Taylor is Reader in Music at the University of Edinburgh. He is author of Mendelssohn, Time and Memory (Cambridge, 2011), The Melody of Time (2015) and Towards a Harmonic Grammar of Grieg's Late Piano Music (2016). He is co-editor of the journal Music & Letters, and the recipient of the Jerome Roche Prize of the Royal Musical Association.
