The Cambridge Companion to International Theatre Festivals

Ric Knowles (University of Guelph, Ontario)

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English

Cambridge University Press
11 June 2020

Series: Cambridge Companions to Theatre and Performance

The global rise of festival culture and experience has taken over that which used to merely be events. The Cambridge Companion to International Theatre Festivals provides an up-to-date, contextualized account of the worldwide reach and impact of the 'festivalization' of culture. It introduces new methodologies for the study of the global network of theatre production using digital humanities, raises questions about how alternative origin stories might impact the study of festivals, investigates the festivalized production of space in the world's 'Festival Cities', and re-examines the social role and cultural work of twenty-first-century theatre, performance, and multi-arts festivals. With chapters on festivals in Africa, Asia, Australia, the Arab world, the francophone world, Europe, North America, and Latin America it analyses festivals as sites of intercultural negotiation and exchange.

Edited by: Ric Knowles (University of Guelph Ontario)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 158mm, Spine: 23mm
Weight: 640g
ISBN: 9781108425483
ISBN 10: 1108425488
Series: Cambridge Companions to Theatre and Performance
Pages: 368
Publication Date: 11 June 2020
Audience: College/higher education , Professional and scholarly , Primary , Undergraduate
Format: Hardback
Publisher's Status: Active

Ric Knowles is a Fellow of the Royal Society of Canada and recipient of a Lifetime achievement award from the Canadian Association for Theatre Research. He is former editor of Theatre Journal, Modern Drama, and Canadian Theatre Review, and an award-winning author or editor of twenty books on drama and theatre.

Reviews for The Cambridge Companion to International Theatre Festivals

'… a well-researched and well written Companion that provides a necessary overview of the current landscape of international performing arts festivals within an engaged critical conversation.' Azadeh Sharifi, Performance Research