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English
Cambridge University Press
19 March 2026
Active in Chicago during the first half of the twentieth century, Florence B. Price was an African American composer, pianist, organist and music teacher, and a central figure in the first generation of Black composers of art music in the US. Price's aesthetic engaged with Black music of the enslavement period, and her gendered racial identity deserves careful consideration, while her geography and era distinguish her trajectory from those of her European and Anglo-American counterparts. This Companion introduces readers to archives and sources on Price, the style and genre of her music, and her artistic communities, and reception. It contextualizes Price's music and life in relation to the sociocultural climate of her time, the Black classical scene to which she belonged, and the compositional aesthetics that informed her craft. It offers an alternative view of music's capacity to uplift and amplify underrepresented voices.
Edited by:   ,
Imprint:   Cambridge University Press
Country of Publication:   United Kingdom
Weight:   500g
ISBN:   9781009169394
ISBN 10:   1009169394
Series:   Cambridge Companions to Music
Pages:   328
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

Samantha Ege is an award-winning musicologist and internationally recognized concert pianist. She is the author of South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene (2024). Her albums spotlight underrepresented composers, and encompass collaborations with Odaline de la Martinez, Castle of our Skins, and the BBC Philharmonic. Dr Alexandra Kori Hill is a musicologist, editor, and freelance writer. She specializes in American culture, Black composers, and music of the nineteenth and twentieth centuries. Kori is the assistant editor for I CARE IF YOU LISTEN, powered by American Composers Forum, and serves as the 2025–2026 Provostal Postdoctoral Fellow at the University of Cincinnati's College-Conservatory of Music. Her work has appeared in the New York Times, Sirp, and program notes for major American orchestras.

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