The Cambridge Companion to Arvo Pärt

Name: The Cambridge Companion to Arvo Pärt
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ISBN: 9781107009899

Andrew Shenton (Associate Professor of Music, Boston University)

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English

Cambridge University Press
17 May 2012

20th century & contemporary classical music; Individual composers & musicians, bands & groups

Series: Cambridge Companions to Music

Arvo Pärt is one of the most influential and widely performed contemporary composers. Around 1976 he developed an innovative new compositional technique called 'tintinnabuli' (Latin for 'sounding bells'), which has had an extraordinary degree of success. It is frequently performed around the world, has been used in award-winning films, and pieces such as Für Alina and Spiegel im Siegel have become standard repertoire. This collection of essays, written by a distinguished international group of scholars and performers, is the essential guide to Arvo Pärt and his music. The book begins with a general introduction to Pärt's life and works, covering important biographical details and outlining his most significant compositions. Two chapters analyze the tintinnabuli style and are complemented by essays which discuss Pärt's creative process. The book also examines the spiritual aspect of Pärt's music and contextualizes him in the cultural milieu of the twenty-first century and in the marketplace.

Edited by: Andrew Shenton (Associate Professor of Music Boston University)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 244mm, Width: 170mm, Spine: 16mm
Weight: 640g
ISBN: 9781107009899
ISBN 10: 1107009898
Series: Cambridge Companions to Music
Pages: 274
Publication Date: 17 May 2012
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Chronology; 1. Introduction: the essential and phenomenal Arvo Pärt Andrew Shenton; 2. A narrow path to the truth: Arvo Pärt and the 1960s and 1970s in Soviet Estonia Immo Mihkelson; 3. Arvo Pärt after 1980 Jeffers Engelhardt; 4. Musical archetypes: the basic elements of the tintinnabuli style Leopold Brauneiss; 5. Analyzing Pärt Thomas Robinson; 6. Arvo Pärt: in his own words Andrew Shenton; 7. Bells as inspiration for tintinnabulation Marguerite Bostonia; 8. Arvo Pärt and spirituality Robert Sholl; 9. The minimalism of Arvo Pärt: an 'antidote' to modernism and multiplicity? Benjamin Skipp; 10. Arvo Pärt in the marketplace Laura Dolp; Appendices: A. Radiating from silence: the works of Arvo Pärt seen through a musician's eyes Andreas Peer Kähler; B. Greatly sensitive: Alfred Schnittke in Tallinn Arvo Pärt; C. Remembering Heino Eller Arvo Pärt; D. Acceptance speech for the International Bridge Prize of the city of Görlitz Arvo Pärt; E. Acceptance speech given for the Léonie Sonning Music Prize 2008 Arvo Pärt; Works list; Bibliography.

Andrew Shenton is Associate Professor of Music at Boston University.

Reviews for The Cambridge Companion to Arvo Pärt

This volume is long overdue. Although the music of Arvo P rt has been readily embraced by audiences, listeners and licensees (providing the soundtrack to many Hollywood films and YouTube clips), the Estonian-born composer has yet to enter the academic press. Joining an august catalog of previous composers and genre companions from [Cambridge], Andrew Shenton's volume is a persuasive act of stimulation and provocation. <br> --Classical Music