PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY

Close Notification

Your cart does not contain any items

The Bottom Of The Harbor

Joseph Mitchell

$24.99

Paperback

Not in-store but you can order this
How long will it take?

QTY:

English
Vintage
06 July 2001
After Joe Gould's Secret - 'a miniature masterpiece of a shaggy dog story' (Observer) - here is another collection of stories by Joseph Mitchell, each connected in one way or another with the waterfront of New York City. As William Fiennes wrote in the London Review of Books, 'Mitchell was the laureate of the waters around New York', and in The Bottom of the Harbor he records the lives and practices of the rivermen, with love and understanding and a sharp eye for the eccentric and strange. This is some of the best journalist ever written.

By:  
Imprint:   Vintage
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 18mm
Weight:   225g
ISBN:   9780099284741
ISBN 10:   009928474X
Pages:   320
Publication Date:  
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  ELT Advanced ,  Primary
Format:   Paperback
Publisher's Status:   Active

"Joseph Mitchell was born near Iona, North Carolina, in 1908, and came to New York City in 1929, when he was twenty-one years old. He eventually found a job as an apprentice crime reporter for The World. He also worked as a reporter and features writer at The Herald Tribune and The World-Telegram before landing at The New Yorker in 1938. ""Joe Gould's Secret,"" which appeared on September 26th 1964, was the last piece Mitchell ever published. He went into work at The New Yorker almost every day for the next thirty-one years and six months but submitted no further writing."

Reviews for The Bottom Of The Harbor

The articles Mitchell wrote for The New Yorker in the 1940s and 1950s established him as the finest staff writer in the history of the magazine and one of the greatest journalists America has produced. The six stories in this collection, all concerned with the lives of the people who worked and lived on the New York waterfront, break all the accepted rules of how journalists should write. The impeccable sentences unwind themselves at a leisurely pace and the significance of the story Mitchell wants to tell is couched in subtle symbolism. The best story in this book, Mr Hunter's Grave , needs only the slightest tweak and bluff to turn it into a short story of the highest order. Mitchell shines a torchlight into places we rarely dare to look-the bottom of the harbour; the darkest recesses of the soul. (Kirkus UK)


See Also