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Italian
Penguin Classics
01 May 1984
A sinister, fast-paced Italian novel

Set in Lombardy during the Spanish occupation of the late 1620s, The Betrothed tells the story of two young lovers, Renzo and Lucia, prevented from marrying by the petty tyrant Don Rodrigo, who desires Lucia for himself. Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters - the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister 'Unnamed' - in their struggle to be reunited. A vigorous portrayal of enduring passion, The Betrothed's exploration of love, power and faith presents a whirling panorama of seventeenth-century Italian life and is one of the greatest European historical novels.

By:  
Introduction by:  
Translated by:  
Imprint:   Penguin Classics
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 30mm
Weight:   490g
ISBN:   9780140442748
ISBN 10:   014044274X
Pages:   720
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Alessandro Manzoni was born in 1785 near Lake Como, Italy. Sent to boarding school at the age of five, he felt estranged from his family, particularly when his mother left his father. As a young man Manzoni subscribed to the ideas of the French Revolution, joining his mother in Paris, where he married Henriette Blondel in 1808. He wrote throughout his life, but suffered from a nervous disorder which grew progressively worse through his lifetime. He died in 1873. Bruce Penman was a versatile linguist fluent in four languages, knowledgeable of ten. In 1984 his translation of China by Gildo Fossati won the John Florio Prize for best translation from the Italian. He died in 1986.

Reviews for The Betrothed

This is not just a book; it offers consolation to the whole of humanity. --Giuseppe Verdi [Manzoni is] the only Italian literary figure whom his countrymen consider worthy of being mentioned in the same breath as Dante . . . It is almost impossible to accept this book as a first novel. Through the virtuosity with which its creator deploys and refines his raw materials, the story of Renzo and Lucia . . . consistently transcends its considerable potential for sentimentality . . . The mElange of tones, styles and methods within the book makes the experience of reading it one of the most rewarding--and simultaneously most challenging--in nineteenth-century fiction. --from the Introduction by Jonathan Keates


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