The Beach Boys' Smile

Luis Sanchez

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English

Bloomsbury Academic USA
25 June 2014

Theory of music & musicology; Rock & Pop music; Individual composers & musicians, bands & groups

Series: 33 1/3

Smile is not merely a great unfinished album, but a living work of art that is all at once expansive, indeterminate, and resolutely pop.

In the early 1960s, The Beach Boys rose from the suburbs of Hawthorne, California to become emissaries of a post-war American dream that fused middle-class aspiration and mobility with images of youth. Led by dream master Brian Wilson, their music gave voice to a Southern California mythos and compelled an audience across the nation and beyond to live out their own versions of the fantasy. By 1966, the encroaching counterculture added new dimensions of creative possibility to popular music. Looking to revise and expand, Brian Wilson sought collaboration with a brilliant musician named Van Dyke Parks. Together they began work on Smile, an ambitious album of music that refracted The Beach Boys’ naïveté into a visionary exploration of American consciousness. Smile edged so close to greatness it seemed destined to become one of the most significant musical advances of its time. But the story didn't end quite like this.

In this book of evocative essays, Sanchez traces the musical journey that transformed The Beach Boys from West Coast surf heroes into America’s pop luminaries, and ultimately why Smile represents a tumultuous turning point in the history of popular music.

By: Luis Sanchez
Imprint: Bloomsbury Academic USA
Country of Publication: United States
Dimensions: Height: 165mm, Width: 121mm, Spine: 13mm
Weight: 128g
ISBN: 9781623562588
ISBN 10: 1623562589
Series: 33 1/3
Pages: 144
Publication Date: 25 June 2014
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

Preface Introduction Part One: California Dreams Part Two: The Pop Miseducation of Brian Wilson Part Three: To Catch a Wave Part Four: Smile, Brian Loves You

Luis Sanchez grew up in West Texas. He earned his PhD in Musicology at the University of Edinburgh, Scotland. His writing has appeared in The House Next Door and Slant.