Chris Bush is a playwright, lyricist and theatre-maker. Her plays include: Otherland (Almeida Theatre, London, 2025); Robin Hood and the Christmas Heist written with Matt Winkworth (Rose Theatre, Kingston, 2024); an adaptation of Ibsen's A Doll's House (Sheffield Theatres, 2024); Rock/Paper/Scissors (Sheffield Theatres, 2022); an adaptation of Charlotte Brontë's Jane Eyre (Stephen Joseph Theatre, Scarborough, and New Vic, Newcastle-under-Lyme, 2022); (Not) the End of the World (Schaubühne, Berlin, 2021); Hungry (Paines Plough, 2021); Nine Lessons and Carols (Almeida Theatre, London, 2020); Faustus: That Damned Woman (Headlong, Lyric Hammersmith & Birmingham Rep, 2020); The Last Noël (Old Fire Station, Oxford, 2019); Standing at the Sky's Edge, a musical with music and lyrics by Richard Hawley (Sheffield Theatres, 2019, revived 2022 and at the National Theatre in 2023, West End 2024); The Changing Room (National Theatre Connections, 2018); Steel (Sheffield Theatres, 2018); an adaptation of Pericles (National Theatre, London, 2018); The Assassination of Katie Hopkins, written with Matt Winkworth (Theatr Clwyd, 2018); What We Wished For and A Dream. Matt Winkworth is a composer. He was artist-in-residence at The Oxford Playhouse 2016-17, won the KSF Artist of Choice award in 2015 and the Perfect Pitch Award in 2014. He has collaborated with the writer Chris Bush on Robin Hood and the Christmas Heist (Rose Theatre, Kingston, 2024) and The Assassination of Katie Hopkins (Theatr Clwyd, 2018).
Darkly funny... it is that rarest of things, a media satire with something new to say. --The Times