The Art of Words

Bede and Theodulf

Paul Meyvaert

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English

Routledge
03 January 2019

Series: Variorum Collected Studies

Medieval art is wordy; inscriptions and poems, commentaries and chronicles accompany and adorn it. The Art of Words presents a series of detective stories by a renowned explorer of medieval philological evidence who here examines the thought and objects of the Venerable Bede and Theodulf of Orleans.

What physical objects did Bede have in mind, for example, when writing about the paintings of his monastic churches? How did he conceive of the division of biblical books into chapters? Why was the famous Libri Carolini made for Charlemagne never published? Indeed what did it mean in the Middle Ages to publish something? Pursuing the story of Bede's calendar shows how Valentine's Day began with a reference to birds. To unravel the meaning of the image of Ezra in the Codex Amiatinus the author then demonstrates the importance of knowing the books that Bede knew and wrote.

The final topic is the celebrated Apse mosaic of Germigny-des-Prés, how it was saved from destruction and how Theodulf's words explain what we see. Words matter and, in these studies Paul Meyvaert constantly delights the reader with careful excavations of that place in medieval art and thought where images and words connect and collide.

By: Paul Meyvaert
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 224mm, Width: 150mm,
Weight: 453g
ISBN: 9781138375284
ISBN 10: 1138375284
Series: Variorum Collected Studies
Pages: 352
Publication Date: 03 January 2019
Audience: College/higher education , Further / Higher Education
Format: Paperback
Publisher's Status: Active

Contents: Preface; Bede and the church paintings at Wearmouth-Jarrow; Bede's Capitula Lectionum for the Old and New Testaments; 'In the footsteps of the fathers': the date of Bede's 30 Questions on the Book of Kings to Nothelm; Discovering the calendar (annalis libellus) attached to Bede's own copy of De Temporum Ratione; Bede, Cassiodorus and Codex Amiatinus; The date of Bede's In Ezram and his image of Ezra in the Codex Amiatinus; Dissension in Bede's community shown by a quire of Codex Amiatinus; The meaning of Theodulf's apse mosaic at Germigny-des-Prés (with Ann Freeman); Maximilen Théodore Chrétin and the apse mosaic at Germigny-des-Prés; Théodulfe et Bède au sujet des blessures du Christ (with A. Davril); Medieval notions of publication: the 'unpublished' Opus Caroli Regis Contra Synodum and the Council of Frankfort (794); Indexes.

Paul Meyvaert was Executive Director of the Medieval Academy of America, and is Associate of the Department of the Classics at Harvard University, USA

Reviews for The Art of Words: Bede and Theodulf

’The papers gathered here involve careful linguistic and artistic detective work, presented in an engaging, often personal style, and are well worthy of careful study.’ Journal of Theological Studies