More than three thousand different images appeared on United States postage stamps from the middle of the nineteenth century to the end of the twentieth. Limited at first to the depiction of a small cast of characters and patriotic images, postal iconography gradually expanded as the Postal Service sought to depict the country and its history in all its diversity. This vast breadth has helped make stamp collecting a widespread hobby and led many people to see stamps as consumer goods in their own right.
Examining the canon of nineteenth- and twentieth-century American stamps, Laura Goldblatt and Richard Handler show how postal iconography and material culture offer a window into the contested meanings and responsibilities of U.S. citizenship. They argue that postage stamps, which are both devices to pay for a government service and purchasable items themselves, embody a crucial tension: is democracy defined by political agency or the freedom to buy? The changing images and uses of stamps reveal how governmental authorities have attempted to navigate between public service and businesslike efficiency, belonging and exclusion, citizenship and consumerism. Stamps are vehicles for state messaging, and what they depict is tied up with broader questions of what it means to be American.
Goldblatt and Handler combine historical, sociological, and iconographic analysis of a vast quantity of stamps with anthropological exploration of how postal customers and stamp collectors behave. At the crossroads of several disciplines, this book casts the symbolic and material meanings of stamps in a wholly new light.
By:
Laura Goldblatt,
Richard Handler
Imprint: Columbia University Press
Country of Publication: United States
Dimensions:
Height: 229mm,
Width: 152mm,
ISBN: 9780231208246
ISBN 10: 0231208243
Pages: 368
Publication Date: 31 March 2023
Audience:
Professional and scholarly
,
Undergraduate
Format: Hardback
Publisher's Status: Active
Introduction Part I: Mailing, Collecting, Cataloguing 1. The Postal Infrastructure of Democratic Citizenship 2. Creating Post-postal Value: Stamp Collecting 3. U.S. Stamps: Cataloguing Polities and Framing National Culture Part II: Storied Ancestors 4. Fixing the Iconography of National Ancestry: Dead Heads and Moving Bodies During the U.S. Civil War 5. Mining History and Marketing Stamps at the World’s Fairs 6. The People in the Postal Polity: Twentieth-Century Definitive Stamps and the Iconography of Democratic Inclusion Part III: The Stamp of Neoliberalism 7. Postal People: From Industrial Labor, Black Power, and Social Service to Cartoon Citizenship 8. Segregating Stamps: From White Definitives to Racialized Commemoratives 9. How to Do Things with Stamps, Part I: First-Day Covers 10. How to Do Things with Stamps, Part II: Shooting the Moon Conclusion: Postal Circulation and Citizenship at the End of the American Century Acknowledgments Appendix: How Many People Collect Stamps in the United States? Notes Bibliography Index
Laura Goldblatt is an assistant professor of English at the University of Virginia. Richard Handler is professor of anthropology and global studies at the University of Virginia.
Reviews for The American Stamp: Postal Iconography, Democratic Citizenship, and Consumerism in the United States
Goldblatt and Handler offer an original and well documented interpretation of U.S. postage stamps, one that will be of interest to a wide array of audiences: stamp collectors and postal historians, to be sure, but also anyone interested in the construction and transformation of U.S. citizenship, consumerism, and popular representation. The book offers a fascinating and important contribution to the literature on nationalism, citizenship, and collecting. -- Pauline Turner Strong, author of <i> American Indians and the American Imaginary: Cultural Representation Across the Centuries</i> Between email, supply chain setbacks, and fears of mail-in ballot corruption, many would consider a stamp the relic of a dying era. But Goldblatt and Handler powerfully bring the stamp back to life as an unrecognized measure of American democracy's future and not just its past. In The American Stamp we find a timely and historically rigorous examination of the consumer republic and its limits. -- Davarian Baldwin, author of <i>In the Shadow of the Ivory Tower: How Universities are Plundering Our Cities</i>
