PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY
Dr. Nancy Wellington Bookhart is an artist-philosopher who models the aesthetic framework which argues art and philosophy as equals in the development of humankind. Her research focuses on the intersection of race, history, and art as a social experiment in Western schools of thought. She received her doctorate degree in Philosophy, Aesthetics, and Art Theory from IDSVA (Institute for Doctoral Studies in the Visual Arts). Dr. Bookhart interrogates the invention of race and stereotypes in her dissertation, 'The Black Veil of Freedom: On Kara Walker and the Aesthetic Education of the Black Man'. Bookhart is an avid presenter at national conferences on the theme of art theory, philosophy, and aesthetics. Bookhart is a contributing author for the text 'Diversity Matters: The Color, Shape, and Tone of Twentieth-First-Century Diversity', edited by Dr. Emily Allen Williams. She recently completed a book review on Rebecca Peabody's text, 'Consuming Stories: Kara Walker and the Imaging of Race in America' for Art Inquiries Journal. Bookhart is working on several provocative titles, 'We Piss, We Shit, We Die: A Philosophical Discourse on Living, Dying, Being', post-dissertation text, 'SURVIVAL: The Black Man and Darwinian Discontent', 'Fashioning a Dissensus: Politics, Class, Capital', as well as a work of fiction on poverty. The fiction work on poverty is an extension of her studio work. Bookhart has exhibited locally, regionally, and nationally. She is the founder and director of 'The Museum Initiative at Paine College', active from 2008-2015, curating dozens of exhibitions. The 'Initiative' was founded on the idea that art participates in forms of humanity and is essential in molding minds in the acquisition of intelligibility. Bookhart is an Assistant Professor of Art at Paine College and serves as chair of the Humanities Department.
"""The Aestheticization of History and the Butterfly Effect"" stands as an important contribution to current debates concerning the future of art and philosophy as these ways of human expression inform the question of an uncertain future. Nancy Wellington Bookhart's lead essay expertly historicizes the aestheticization of Western historiography and thereby situates the butterfly effect at the very center of these debates. The essays she includes in her collection exemplify the very best in contemporary critical philosophy. These range from Kathe Albrecht's brilliant critique of the intertwinement of art and history, Robert Anderson's equally brilliant continuation of this theme vis a vis race and gender circa 1893, and Kate Farrington's superb transhistorical engagement with dOCUMENTA (13). The essays that follow round out the collection as a striking encounter with the possible. Dr. George Smith Founder and President Edgar E. Coons, Jr. Professor of New Philosophy Institute for Doctoral Studies in the Visual Arts This book reflects our contemporary moment. Editor Nancy Wellington Bookhart brings together the voices of eight scholars, curators, and artists (sometimes a single individual author has backgrounds in all three of these different roles) who actively rethink our histories of what art has been in order to provide insight into what it might be in the future. This is done as a provocation into the possibilities of what art might do. The book differs from older traditions of art history and criticism that have attempted to define how history creates a sense of inevitability of what comes next. Instead, these authors reenter history and the philosophy of ideas to ask how we might be able to think anew. The Butterfly Effect speaks to how small, even seemingly insignificant reimaginings of the past might produce a dramatically different present from which we enter the future. The book brings together a rich variety of voices that revise the past as we strive for new possibilities in the ways visual art allows us to reinvent ourselves and our communities of discourse. With its focus on scholarly attention on the critique of history to expand the prospects for making, this book will be of strong interest to visual arts programs, from undergraduate to doctoral study, that frame art making and scholarship as grounded in research and the critical examination of ideas. Dr. Richard Siegesmund Professor Emeritus, Art and Design Education Northern Illinois University Bookhart's audacious approach to history and art in this transhistorical undertaking, ""The Aestheticization of History and the Butterfly Effect"" seeds generations the Kantian promise of the subject-object relationship in the restaging of narratives once constructed and perceived vis-à-vis the law of perception belonging to colonized schools of thought. Doris Wellington Independent Scholar Founder of The Great Commission Humanitarian Project Author of 'I Waltzed with God the Morning of Genesis: The Human Mosaic'"
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