Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory.
Smith argues that Oldenburg adapted lessons of context, gleaned from New York’s changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg’s innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.
By:
Katherine Smith Imprint: University of California Press Country of Publication: United States Dimensions:
Height: 254mm,
Width: 178mm,
Spine: 28mm
Weight: 1.089kg ISBN:9780520305489 ISBN 10: 0520305485 Pages: 352 Publication Date:02 March 2021 Audience:
Professional and scholarly
,
Undergraduate
Format:Hardback Publisher's Status: Active
Acknowledgments Introduction 1. Streets 2. Stores 3. Holes 4. Plugs 5. Binoculars Epilogue Notes Bibliography List of Illustrations Index
Katherine Smith is Professor of Art History at Agnes Scott College.
Reviews for The Accidental Possibilities of the City: Claes Oldenburg's Urbanism in Postwar America
Smith's book will be valuable for those interested in urban art, multidisciplinary urbanism, or the history of ideas. * CHOICE *