Peter Clarke (Budgie) was born in 1957 in St. Helens in the Northwest of England. He studied Fine Art at the Gamble Institute and at Liverpool College of Art, before taking a sabbatical in 1977 to join a band . . . or two. He is known internationally for his unique style of drumming on 'The Slits' debut album, Cut (1979), and as writer, arranger and multi-instrumentalist, with both Siouxsie And The Banshees (1979-1996) and The Creatures (1981-2004). Self-taught, his influences range from Ringo to Rothko (via Ravel).
Given how devoted Budgie was to obliterating himself, and given that the people surrounding him were either unwilling or unable to communicate, it seems miraculous that his memoir exists at all, still more miraculous that the writing is so present, so lucid, and so tender. We feel exactly what it was like to be caught up in the stomach-lurching post punk whirlwind of the late 70s/early 80s. His mother's devastating early death became a kind of engine for his life, propelling him forwards into creativity and exhibitionism even as it held him back emotionally. Lyrical, affectionate and often painfully raw, The Absence is the literary equivalent of what Budgie does behind the drums - the one place, as he says, where he 'can't fake it'. Nothing is faked in this vivid hymn to vulnerability, damage and excess, and the haunting, unforgettable music that came flowing out of it -- RUPERT THOMSON The Absence lays bare the burden of overcoming guilt, shame, loneliness and the search for validation through art and music - the salves to the universal wounds. Beautifully written, brutally honest, a travelogue of self discovery by one of the most unique artists still reaching new levels of musical experimentation -- LYDIA LUNCH