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That Divine Order: Music and the Visual Arts from Antiquity to the Eighteenth Century
— —
Peter Vergo Beulah Davies
That Divine Order: Music and the Visual Arts from Antiquity to the Eighteenth Century by Peter Vergo at Abbey's Bookshop,

That Divine Order: Music and the Visual Arts from Antiquity to the Eighteenth Century

Peter Vergo Beulah Davies Karl Shanahan


9780714843513

Phaidon


Art & Architecture;
The Arts: General & Reference;
Theory of music & musicology


Hardback

304 pages

$79.95
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Ever since antiquity, philosophers have pointed to the supposed 'divine' character of music, and following Pythagoras's discovery of the mathematical basis of the musical scale, have posited a link between the mathematical order of music, the physical order of the universe and the moral order of human society. Both practising artists and moralists came to believe that, by demonstrating an analogy with music, they could claim a dignity and value for their art - whether painting, architecture or sculpture - that it might otherwise lack. Why was this so? What was the point of such analogies? What advantages was music believed to enjoy, by comparison with the visual arts? Artists and critics frequently cited music as a manifestation of God-given order to which visual arts should aspire. But on what evidence was this belief in the inherently systematic character of music based; and in practical terms, how might visual art seek to emulate any such divine order or system? In what way might Gothic cathedrals have been based on systems of harmonic proportion? How did Poussin's search for a compositional principle derived from antique 'modes' in music resemble, or differ from, Palladio's attempts to embody musical 'harmonies' in architecture? And how did each artist conceive of the sense and value of such analogies? Systematic answers to such questions have hitherto been lacking, and, for the first time, Professor Vergo makes direct and detailed comparisons between musical and pictorial practices in the long period covered by the book. He also provides a broad analysis of changes in the character of the analogies drawn at different times, using in his analyses critical and philosophical sources as well as evidence about artistic and musical practice. That Divine Order will be of interest to art historians and musicologists, to practising artists and musicians, to students of cultural history and those concerned with aesthetic theory and interdisciplinary studies.

By:   Peter Vergo
Designed by:   Karl Shanahan
Edited by:   Beulah Davies
Imprint:   Phaidon
Country of Publication:   United Kingdom
Dimensions:   Height: 245mm,  Width: 172mm,  Spine: 25mm
Weight:   880g
ISBN:   9780714843513
ISBN 10:   0714843512
Pages:   304
Publication Date:   July 2005
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

Introduction * 1. The Cry of the Phoenix * 2. Spherical Music * 3. Gothic Architecture and Polyphony * 4. Divine Harmonies * 5. Mode and Mood * 6. Melodies for the Eye * 7. Epilogue: Colour-music * Notes * Bibliography * Index

Peter Vergo is Professor of Art History and Theory at the University of Essex, a widely respected art historian and author of several books on art and music studies including the classic Art in Vienna 1898-1918, published by Phaidon


'This is a fine book for students of art and music, which has been thoroughly researched and cogently written. It is also liberally illustrated with monochrome figures and a number of coulour plates.' (Musical Opinions)

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