Terrence Malick

Filmmaker and Philosopher

Dr Robert Sinnerbrink

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Hardback

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English

Bloomsbury Academic
11 July 2019

Film theory & criticism; Individual film directors, film-makers; Phenomenology & Existentialism; Ethics & moral philosophy

Series: Philosophical Filmmakers

Many critics have approached Terrence Malick’s work from a philosophical perspective, arguing that his films express philosophy through cinema. With their remarkable images of nature, poetic voiceovers, and meditative reflections, Malick’s cinema certainly invites philosophical engagement.

In Terrence Malick: Filmmaker and Philosopher, Robert Sinnerbrink takes a different approach, exploring Malick’s work as a case of cinematic ethics: films that evoke varieties of ethical experience, encompassing existential, metaphysical, and religious perspectives. Malick’s films are not reducible to a particular moral position or philosophical doctrine; rather, they solicit ethically significant forms of experience, encompassing anxiety and doubt, wonder and awe, to questioning and acknowledgment, through aesthetic engagement and poetic reflection.

Drawing on a range of thinkers and approaches from Heidegger and Cavell, Nietzsche and Kierkegaard, to phenomenology and moral psychology Sinnerbrink explores how Malick’s films respond to the problem of nihilism the loss of conviction or belief in prevailing forms of value and meaning and the possibility of ethical transformation through cinema: from self-transformation in our relations with others to cultural transformation via our attitudes towards towards nature and the world. Sinnerbrink shows how Malick’s later films, from The Tree of Life to Voyage of Time, provide unique opportunities to explore cinematic ethics in relation to the crisis of belief, the phenomenology of love, and film’s potential to invite moral transformation.

By: Dr Robert Sinnerbrink
Imprint: Bloomsbury Academic
Country of Publication: United Kingdom
Dimensions: Height: 216mm, Width: 138mm,
Weight: 458g
ISBN: 9781350063631
ISBN 10: 1350063630
Series: Philosophical Filmmakers
Pages: 272
Publication Date: 11 July 2019
Audience: College/higher education , Primary
Format: Hardback
Publisher's Status: Active

Robert Sinnerbrink is Senior Lecturer in Philosophy, MacQuarrie University, Australia. He is the author of Cinematic Ethics (2016), New Philosophies of Film: Thinking Images (Bloomsbury, 2011) and Understanding Hegelism (2007)

Reviews for Terrence Malick: Filmmaker and Philosopher

[An] homage to Malick (b. 1943) and a robust invocation and endorsement of the relation between filmmaking and philosophy ... The book is well written and well informed. Summing Up: Recommended. Upper-division undergraduates through faculty. * CHOICE * Robert Sinnerbrink is among the most astute and persistent philosophical interpreters of Terrence Malick's cinematic oeuvre. This detailed and comprehensive survey offers a sure guide to Malick's films as well as to the voluminous critical literature that surrounds it. -- Stuart Kendall, Associate Professor, California College of the Arts, USA For some time now, Robert Sinnerbrink has been arguing that film-philosophy is not simply about aesthetics. To approach a film as a form of philosophical expression, for Sinnerbrink, is to also see it as a site of potential existential, ethical, and even spiritual transformation. Sinnerbrink's masterful treatment of Malick's cinema makes that case eloquently and powerfully. Through his careful, close study of Malick's work, Sinnerbrink challenges his readers to see beyond the dominant and fashionable horizons that inform current discussions about the nature of cinema. -- John Caruana, Associate Professor, Department of Philosophy, Ryerson University, Canada In this rich and important book, Robert Sinnerbrink describes how his sense that cinema can be 'philosophical' has evolved through his engagement with Terrence Malick's challenging and difficult cinematic works from Badlands to Song to Song. Sinnerbrink's wonderfully detailed analyses of how, in each of the films discussed, specific features of Malick's evolving cinematic style engage the viewer in philosophically important 'cinematic thinking' are a model of both exegetical and theoretical insight. Sinnerbrink makes a powerful case for a 'cinematic ethics', whereby cinema can produce an ethical experience capable of transforming us aesthetically, psychologically, and even culturally. -- David Davies, Professor of Philosophy, McGill University, Canada Sinnerbrink has produced an essential (and nostalgic) trip through the responses to Malick's work. * Film-Philosophy Journal *