Robert Lee Watt studied French horn at the New England Conservatory of Music with Harry Shapiro of the Boston Symphony. In 1970, he was hired by the Los Angeles Philharmonic as assistant first French horn under maestro Zubin Mehta, making him the first African American French hornist hired by a major symphony in the United States. ,
""In this spirited collection of conversations, Robert Watt lucidly unveils the underpinnings of little-known stories about African Americans in classical music. It's a striking potpourri of perspectives."" ""Watt's new book provides the reader with a valuable bird's eye view of the progress and the challenges that remain, spanning the past 40 to 50 years since the American Symphony Orchestra Leagues' efforts to achieve diversity in America's orchestras. I highly recommend this book to all that have an interest in the behind-the-scenes life and work of African American symphony orchestra members.""