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Taking Stock

The Theatre of Max Stafford-Clark

Max Stafford-Clark Philip Roberts

$31.99

Paperback

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English
Nick Hern Books
11 January 2007
Inside accounts of the making of some of the most influential theatre productions of the last four decades.

Max Stafford-Clark has been at the cutting edge of theatre in Britain for more than thirty years. Taking Stock draws on diaries, photos and interviews to recreate the evolution of nine of his most famous and influential productions:

Fanshen by David Hare

Epsom Downs by Howard Brenton

Cloud Nine by Caryl Churchill

Rita, Sue and Bob Too by Andrea Dunbar

Serious Money by Caryl Churchill

Our Country's Good by Timberlake Wertenbaker

The Steward of Christendom by Sebastian Barry

Some Explicit Polaroids by Mark Ravenhill

Macbeth by William Shakespeare

The result is one of the richest, most intimately informative books on the making of theatre.

'a rare opportunity to get inside the mind of one of British theatre's most original practitioners... a fascinating view of an incredibly diverse body of work'

— British Theatre Guide

'a splendid portrait of the vicissitudes of the collective life'

— Times Literary Supplement

'fascinating... By pioneering the workshop method of rehearsal, where actors and director all contribute ideas before sending the playwright off to pen the text, Stafford-Clark made a major innovation in the evolution of British drama... He also tells a good story'

— Independent

'a terrific read... an absolute treasure trove of insights, tips, reminiscences and lessons in the 'process' of how a new play comes into the world'

— Rogues and Vagabonds

By:   ,
Imprint:   Nick Hern Books
Country of Publication:   United Kingdom
Dimensions:   Height: 233mm,  Width: 155mm,  Spine: 15mm
Weight:   450g
ISBN:   9781854598400
ISBN 10:   1854598406
Pages:   288
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Max Stafford-Clark is one of the UK's most influential theatre directors. He established Joint Stock in 1974, ran the Royal Court Theatre from 1979 to 1993, and then set up the extremely successful touring theatre company, Out of Joint, premiering plays from leading writers including April De Angelis, Sebastian Barry, Richard Bean, Alistair Beaton, Caryl Churchill, David Edgar, David Hare, Rebecca Lenkiewicz, Robin Soans and Timberlake Wertenbaker. He remained Out of Joint's Artistic Director until 2017. Dr Philip Roberts is Emeritus Professor of Theatre Studies in the University of Leeds and a theatre historian, particularly of the Royal Court.

Reviews for Taking Stock: The Theatre of Max Stafford-Clark

'a rare opportunity to get inside the mind of one of British theatre's most original practitioners... a fascinating view of an incredibly diverse body of work' * British Theatre Guide * 'a splendid portrait of the vicissitudes of the collective life' * Times Literary Supplement * 'fascinating... By pioneering the workshop method of rehearsal, where actors and director all contribute ideas before sending the playwright off to pen the text, Stafford-Clark made a major innovation in the evolution of British drama... He also tells a good story' -- Aleks Sierz * Independent * 'a terrific read... an absolute treasure trove of insights, tips, reminiscences and lessons in the 'process' of how a new play comes into the world' * Rogues and Vagabonds *


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