Tactus, Mensuration and Rhythm in Renaissance Music

Ruth I. DeFord (Hunter College, City University of New York)

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English

Cambridge University Press
23 April 2015

Medieval & Renaissance music (c 1000 to c 1600)

Ruth I. DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c.1420 to c.1600. Divided into two parts, the book examines the theory and practice of rhythm in relation to each other to offer new interpretations of the writings of Renaissance music theorists. In the first part, DeFord presents the theoretical evidence, introduces the manuscript sources and explains the contradictions and ambiguities in tactus theory. The second part uses theory to analyse some of the best known repertories of Renaissance music, including works by Du Fay, Ockeghem, Busnoys, Josquin, Isaac, Palestrina, and Rore, and to shed light on composers' formal and expressive uses of rhythm. DeFord's conclusions have important implications for our understanding of rhythm and for the analysis, editing, and performance of music during the Renaissance period.

By: Ruth I. DeFord (Hunter College City University of New York)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 249mm, Width: 183mm, Spine: 30mm
Weight: 1.160kg
ISBN: 9781107064720
ISBN 10: 1107064724
Pages: 518
Publication Date: 23 April 2015
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Introduction; Part I. Theory: 1. Sources of information; 2. Principles of mensural notation; 3. Definitions and descriptions of Tactus; 4. Tactus and rhythm; 5. Tactus and signs in fifteenth-century music theory; 6. Tactus and signs in sixteenth-century music theory; 7. Tactus and tempo; Part II. Practice: 8. The songs of Du Fay; 9. The L'homme armé masses of Ockeghem, Busnoys, and Josquin; 10. The five- and six-voice motets of Josquin; 11. The Choralis Constantinus of Isaac; 12. The masses of Palestrina; 13. The madrigals of Rore; 14. Popular songs and dances; Conclusion.

Ruth I. DeFord is Professor Emerita of Hunter College and the Graduate Center, City University of New York. Her principal areas of research are the Italian madrigal and canzonetta and music theory of the Renaissance. She has edited the canzoni of Giovanni Ferretti and the canzonettas of Orazio Vecchi for A-R Editions. Her articles have appeared in numerous scholarly journals.

Reviews for Tactus, Mensuration and Rhythm in Renaissance Music

'DeFord's study provides a thorough overview of the aspect of Renaissance music that is the most difficult for our modern ears and minds to understand: rhythm. While the introductory chapters would serve as an excellent introduction to Renaissance rhythm for upper-level undergraduates or graduate students, the general organization of DeFord's volume will make it useful for a variety of populations and purposes. The wealth of music examples included, many of which are transcribed by DeFord herself, is yet another strength of the book. Tactus, Mensuration, and Rhythm in Renaissance Music is an important contribution to Renaissance scholarship. Kimberly Hieb, Notes 'DeFord's study provides a thorough overview of the aspect of Renaissance music that is the most difficult for our modern ears and minds to understand: rhythm. While the introductory chapters would serve as an excellent introduction to Renaissance rhythm for upper-level undergraduates or graduate students, the general organization of DeFord's volume will make it useful for a variety of populations and purposes. The wealth of music examples included, many of which are transcribed by DeFord herself, is yet another strength of the book. Tactus, Mensuration, and Rhythm in Renaissance Music is an important contribution to Renaissance scholarship. Kimberly Hieb, Notes