Symphonic Spectacles: Form, Identity, and Hybridity in the Early Twentieth Century

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Sam Reenan (Assistant Professor of Music Theory, Assistant Professor of Music Theory, Miami University)

Symphonic Spectacles

Form, Identity, and Hybridity in the Early Twentieth Century

Sam Reenan (Assistant Professor of Music Theory, Assistant Professor of Music Theory, Miami University)

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English

Oxford University Press Inc
01 November 2025

Theory of music & musicology; Music reviews & criticism; 20th century & contemporary classical music

Series: Oxford Studies in Music Theory

Symphonic music of the early twentieth century reflects the complex, cosmopolitan world it inhabited. In a time of waning empire, rising nationalism, and heightened sexual politics, composers in Germany, Britain, and America drew upon the compositional resources of tradition to create intensely personal symphonic spectacles. The hybrid symphonic works that flourished in this period mixed musical forms and genres freely, adapting compositional procedures for their rhetorical potential. Symphonic Spectacles investigates large-scale formal mixture in six case studies that juxtapose works of the Austro-German symphonic canon with lesser-studied pieces by a diverse array of composers, including Strauss, Beach, Ellington, and Mahler. Sam Reenan proposes a creative analytical framework rooted in the analogy between formal hybridity and intersectional identity, which affords new interpretive possibilities that integrate formal analysis with critical consideration of compositional design, reception history, and subjectivity. Considering influential scholarship from the new Formenlehre, literary genre studies, and theories of race, gender, and sexuality, Reenan's analytical approach favors playfully creating new stories over gatekeeping bygone ones. This book combines manuscript evidence, composer commentary, historical and biographical details, and published music criticism, all factors which contribute to comprehensive formal interpretations. Symphonic Spectacles represents not only a collection of studies in hybrid symphonic form, but also a model for countercanonic means of knowledge production in the field of music analysis.

By: Sam Reenan (Assistant Professor of Music Theory Assistant Professor of Music Theory Miami University)
Imprint: Oxford University Press Inc
Country of Publication: United States
Dimensions: Height: 226mm, Width: 163mm, Spine: 28mm
Weight: 612g
ISBN: 9780197691083
ISBN 10: 0197691080
Series: Oxford Studies in Music Theory
Pages: 328
Publication Date: 01 November 2025
Audience: College/higher education , Further / Higher Education
Format: Hardback
Publisher's Status: Active

Chapter 1: Structure, Spectacle, Symphony Chapter 2: Genres, Systems, Networks: Intersections with Formal Analysis Chapter 3: Form, Drama, and Gender Politics in Strauss>'s Eine Alpensinfonie Chapter 4: Cyclic Form and Programmaticism in Beach>'s 's Black, Brown & Beige Chapter 6: The Symphonic Voice as Woman>'s Work in Smyth>'s The Prison Chapter 7: Repetition and Spectatorship in Coleridge-Taylor>'s Hiawatha>'s Wedding Feast Chapter 8: Multidimensionality in Mahler>'s Eighth Symphony Appendix: Catalogue of Published Rehearsal Numbers

Sam Reenan is Assistant Professor of Music Theory at Miami University (Oxford, OH, USA). His work examines issues of musical form, narrative, and reception history as they intersect with aspects of identity and cultural constructions of meaning.