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Thomas Chatterton Williams is a staff writer at the Atlantic, a visiting professor of humanities at Bard College, and a nonresident fellow at the American Enterprise Institute. He is the bestselling author of Self-Portrait in Black and White and Losing My Cool. Williams is a visiting professor of the humanities and a senior fellow at the Hannah Arendt Center at Bard College, a 2022 Guggenheim fellow, and a visiting fellow at the American Enterprise Institute. His work has appeared in the New York Times Magazine, Harper's, the New Yorker, the London Review of Books, Le Monde, and many other places, and has been collected in The Best American Essays and The Best American Travel Writing. He has received support from New America, Yaddo, MacDowell, and The American Academy in Berlin, where he is a member of the Board of Trustees.
Even when I disagree, I admire those 'Hard-Headed Negroes,' like Thomas Chatterton Williams, who have the mettle and tenacity to challenge orthodoxy, often risking censure by their contemporaries for daring to speak their minds. Thomas Chatterton Williams has taken his place among these brilliant dissenters -- Henry Louis Gates, Jr., Distinguished Professor, Harvard University Mass insanity broke out among America's elites in the summer of 2020, with devastating consequences for America's knowledge-creating institutions. Thomas Chatterton Williams is one of the few intellectuals who stood firm and made the case with great courage for liberal values and the free exchange of ideas. In Summer of our Discontent, he returns with a gift: a way of understanding what happened to us that preserves the humanity of all parties and points the way forward toward renewal -- Jonathan Haidt, #1 New York Times bestselling author of The Anxious Generation Thomas Chatterton Williams uses a fiercely probing intelligence, instinctively dissatisfied with absolutist explanations, to explore without ideological blindfolds what happened in one momentous summer. Camus would have liked this book -- Adam Gopnik, bestselling author of The Real Work Thomas Chatterton Williams manages to make moral and cultural sense of a profoundly perplexing time. By seeing clearly, reflecting honestly, writing with real power and style, and beginning from the premise that no faction is entirely right or entirely wrong, he offers genuine illumination. This is an essential book -- Yuval Levin, author of American Covenant
