Sufjan Stevens' Carrie & Lowell

Joel Mayward (George Fox University, USA)

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English

Bloomsbury Academic USA
13 November 2025

Music reviews & criticism; Rock & Pop music; Individual composers & musicians, bands & groups

Series: 33 1/3

Upon the release of Sufjan Stevens’ seventh studio album, Carrie & Lowell, two divergent groups found themselves as strange bedfellows: the LGBTQIA+ community and American evangelical Christians. Both were united in praise for Stevens’ beautifully melancholic music.

Critically acclaimed as one of the best albums of 2015, the elegiac and intimate record about the death of Sufjan’s estranged mother reflects the musician’s own paradoxical posture—Carrie & Lowell is both sacred and profane, Christian and queer, traditional and progressive, despairing and hopeful.

Theologian and cultural critic Joel Mayward considers Carrie & Lowell as a mystical metamodern memento mori, Sufjan’s symphonic (as opposed to systematic) approach to the questions of mortality, sexuality, and God. Fusing critical observations with personal narrative, Mayward examines the unique audience reception of Carrie & Lowell and the questions it raises: in a world of division, how might Stevens’ affecting music act as a bridge of love between seemingly irreconcilable communities? As Carrie & Lowell reminds us of the painful truth that “we’re all gonna die,” perhaps it also offers a glimpse of transcendence and hope on this side of death.

By: Joel Mayward (George Fox University USA)
Imprint: Bloomsbury Academic USA
Country of Publication: United States
Dimensions: Height: 164mm, Width: 118mm, Spine: 12mm
Weight: 152g
ISBN: 9798765132760
Series: 33 1/3
Pages: 160
Publication Date: 13 November 2025
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Forthcoming

Joel Mayward is Assistant Professor of Christian Ministries, Theology and the Arts at George Fox University in Oregon, USA. He is author of six books including The Dardenne Brothers’ Cinematic Parables: Integrating Theology, Philosophy, and Film (2022) and Theology and the Films of Christopher Nolan: Cinematic Transcendence (2025). He is also a cultural critic and writes about the intersection of art and religion.