In this rich study of noise in American film-going culture, Meredith C. Ward shows how aurality can reveal important fissures in American motion picture history, enabling certain types of listening cultures to form across time. Connecting this history of noise in the cinema to a greater sonic culture, Static in the System shows how cinema sound was networked into a broader constellation of factors that affected social power, gender, sexuality, class, the built environment, and industry, and how these factors in turn came to fruition in cinema's soundscape. Focusing on theories of power as they manifest in noise, the history of noise in electro-acoustics with the coming of film sound, architectural acoustics as they were manipulated in cinema theaters, and the role of the urban environment in affecting mobile listening and the avoidance of noise, Ward analyzes the powerful relationship between aural cultural history and cinema's sound theory, proving that noise can become a powerful historiographic tool for the film historian.
By:
Dr. Meredith C. Ward
Imprint: University of California Press
Country of Publication: United States
Volume: 1
Dimensions:
Height: 229mm,
Width: 152mm,
Spine: 20mm
Weight: 499g
ISBN: 9780520299474
ISBN 10: 0520299477
Series: California Studies in Music, Sound, and Media
Pages: 256
Publication Date: 05 March 2019
Audience:
Professional and scholarly
,
Undergraduate
Format: Hardback
Publisher's Status: Active
List of Illustrations Acknowledgments Introduction: Noise and the Concept of the Cinema Soundscape 1. Songs of the Sonic Body: Noise and the Sounds of Early Motion Picture Audiences 2. The Film Industry Lays the Golden Egg: Noise, Electro-Acoustics, and the Academy’s Adjustment to Film Sound 3. “Machines for Listening”: Cinema Auditoriums as Vehicles for Aural Absorption 4. Cinema Theaters as Antiquated as “Edison and His Wax Cylinders”: Mobile Technologies and the Negotiation of Public Noise Conclusion: Noises We Will Be Hearing Soon Appendix Notes References Index
Meredith C. Ward is Director of the Film and Media Studies Program at Johns Hopkins University. She is also affiliated faculty for the Center for Advanced Media Studies at Johns Hopkins. She is the author of articles on sound and media for Nineteenth Century Theatre and Film; Music, Sound, and the Moving Image; and the upcoming Oxford Handbook of Cinematic Listening and the recipient of the 2016 Dissertation Award for outstanding contribution to the field of media studies from the Society for Cinema and Media Studies (SCMS).
Reviews for Static in the System: Noise and the Soundscape of American Cinema Culture
Ward's book is one of the first in a generation to give us a new place to start when it comes to cinema sound - not by discarding the research of the past, but by resituating it in new conversations. * Journal of Sonic Studies *
