Stanislavsky and Race is the first book to explore the role that Konstantin Stanislavsky’s “system” and its legacies can play in building, troubling and illuminating today’s anti-racist theatre practices.
This collection of essays from leading figures in the field of actor training stands not only as a resource for a new area of academic enquiry, but also for students, actors, directors, teachers and academics who are engaged in making inclusive contemporary theatre. In seeking to dismantle the dogma that surrounds much actor training and replace it with a culturally competent approach that will benefit our entire community, the “system” is approached from a range of perspectives featuring the research, reflections and provocations of 20 different international artists interrogating Stanislavsky’s approach through the lens of race, place and identity.
Stanislavsky and … is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers and scholars of acting, actor training and directing.
Edited by:
Siiri Scott,
Jay Paul Skelton,
Jay Paul Skelton
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions:
Height: 234mm,
Width: 156mm,
Weight: 544g
ISBN: 9781032362342
ISBN 10: 1032362340
Series: Stanislavsky And...
Pages: 190
Publication Date: 22 September 2023
Audience:
College/higher education
,
Professional and scholarly
,
Primary
,
Undergraduate
Format: Hardback
Publisher's Status: Active
"1. Re/Gaining Trust: The ""System"" and the System of Actor Training Sylvan Baker, Zuri Eshun and James Palm A Reflection on Re/Gaining Trust: Revelation and Responsibility Joe Wilson, Jr 2. Black British Perspectives, Pedagogy and Power: Addressing the Canon through S.P.H.E.R.E. Gemma Crooks and Erica Jeffrey 3. Logunedé in Salem: Making Sense of Stanislavsky’s Last Experiments in Contemporary Brazil Diego Moschkovich 4. Emotion Memory versus Physical Action: Towards Anti-racist Pedagogies that Make Way for Critical Praxis Evi Stamatiou 5. Breaking Away: Latinidad and Moving Beyond the ""System"" Marissa Chibás, Michelle Jasso and Tlaloc Rivas with Siiri Scott A Reflection on Breaking Away: Looking through All Kinds of Windows Sandra Marquez 6. A Jewish Journey: Stanislavsky’s ""System"" to the American Method Conrad Cohen 7. The Intracultural Project: Creating an Inclusive Rehearsal Room Beyond Stanislavsky Kristine Landon-Smith and Dominic Hingorani A Reflection on The Intracultural Project: Mabuhay as an Act of Resistance James Cooney 8. Stanislavsky, Rose McClendon and Reparations: Whiteness, Professionalization and Reframing Amateurism in the Theater of the United States Amy Steiger 9. I Ain’t Studyin’ Stanislavsky: We Are the Key to Reimagining 21st-Century Actor Training Monica White Ndounou"
Siiri Scott is a Chicago actor/director and serves as the Head of Acting and Directing and a Professor of the Practice in the Department of Film, Television and Theatre at the University of Notre Dame, USA. Jay Paul Skelton is a lecturer on the MA/MFA Actor Training and Coaching programme at The Royal Central School of Speech and Drama, UK, and has taught at RADA, Rose Bruford, Kingston University and the University of Notre Dame London Global Gateway.
