Staging Discomfort

Performance and Queerness in Contemporary Cuba

Bretton White

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English

University Press of Florida
09 June 2020

Theatre Studies; History of the Americas; Gay & Lesbian studies; Sociology: sexual relations

This visionary volume examines how queer bodies are theatrically represented on the Cuban stage in ways that challenge one of the state's primary revolutionary tools, the categorization and homogenization of individuals. Bretton White critically analyzes contemporary performances that upset traditional understandings of performer and spectator, as well as what constitutes the ideal Cuban citizenry.

Following the 1959 revolution, nonconformists were monitored and reported by local committees and punished or reformed by the government. Censorship was rampant, and Cuban art suffered as the state tried to control the national message. Through the lens of queer theory, White explores how the body has been central to the state's fear-based marginalization of gay life and looks at the ways these theatrical performances defuse that fear. She highlights the revolutionary model of masculinity and the role it plays in excluding people based upon visible queer difference. White finds that, through experimental performances of sexuality, actors create connections with audiences to evoke shared feelings of discomfort, intimacy, shame, longing, frustration, and failure, which echo the prevalence of these feelings in other Cuban spaces. By performing queerness, these plays question the state's narrative of heteronormativity and empower citizens to negotiate alternative understandings of Cuban identity.

By: Bretton White
Imprint: University Press of Florida
Country of Publication: United States
Dimensions: Height: 229mm, Width: 151mm, Spine: 19mm
Weight: 535g
ISBN: 9781683401544
ISBN 10: 1683401549
Pages: 258
Publication Date: 09 June 2020
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Bretton White is assistant professor of Spanish at Colby College.