Stages of Emergency

Cold War Nuclear Civil Defense

Tracy C. Davis

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English

Duke University Press
27 June 2007

History of the Americas; Postwar 20th century history, from c 1945 to c 2000; Civil defence; Nuclear weapons

"In an era defined by the threat of nuclear annihilation, Western nations attempted to prepare civilian populations for atomic attack through staged drills, evacuations, and field exercises. In Stages of Emergency the distinguished performance historian Tracy C. Davis investigates the fundamentally theatrical nature of these Cold War civil defense exercises. Asking what it meant for civilians to be rehearsing nuclear war, she provides a comparative study of the civil defense maneuvers conducted by three NATO allies-the United States, Canada, and the United Kingdom-during the 1950s and 1960s. Delving deep into the three countries' archives, she analyzes public exercises involving private citizens-Boy Scouts serving as mock casualties, housewives arranging home protection, clergy training to be shelter managers-as well as covert exercises undertaken by civil servants.

Stages of Emergency covers public education campaigns and school programs-such as the ubiquitous ""duck and cover"" drills-meant to heighten awareness of the dangers of a possible attack, the occupancy tests in which people stayed sequestered for up to two weeks to simulate post-attack living conditions as well as the effects of confinement on interpersonal dynamics, and the British first-aid training in which participants acted out psychological and physical trauma requiring immediate treatment. Davis also brings to light unpublicized government exercises aimed at anticipating the global effects of nuclear war. Her comparative analysis shows how the differing priorities, contingencies, and social policies of the three countries influenced their rehearsals of nuclear catastrophe. When the Cold War ended, so did these exercises, but, as Davis points out in her perceptive afterword, they have been revived-with strikingly similar recommendations-in response to twenty-first-century fears of terrorists, dirty bombs, and rogue states."

By: Tracy C. Davis
Imprint: Duke University Press
Country of Publication: United States
Dimensions: Height: 235mm, Width: 156mm, Spine: 27mm
Weight: 635g
ISBN: 9780822339700
ISBN 10: 0822339706
Pages: 432
Publication Date: 27 June 2007
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

"Acknowledgments ix Abbreviations xiii Introduction 1 Part I: Directing Apocalypse 1. Civil Defense Concepts and Planning 9 2. Rehearsals for Nuclear War 58 Part II: Act Your Part: The Private Citizen on the Public Stage 3. The Psychology of Vulnerability 105 4. Sheltering 127 5. Get Out of Town! 158 6. Communications 181 7. Acting Out Injury 198 Part III: Covert Stages: The ""Public Sector"" Rehearses in Private 8. Crisis Play 223 9. International Play 247 10. Disaster Welfare 261 11. Continuity of Government 287 12. Computer Play 312 Afterword:Dismantling Civil Defense 331 Appendix: Cold War and Civil Defense Time Line 339 Notes 351 Works Cited 401 Index 429"

Tracy C. Davis is Barber Professor of Performing Arts and Professor of English and Theatre at Northwestern University. She is the author of The Economics of the British Stage 1800–1914; George Bernard Shaw and the Socialist Theatre; and Actresses as Working Women: Their Social Identity in Victorian Culture.

Reviews for Stages of Emergency: Cold War Nuclear Civil Defense

"""Tracy C. Davis's highly original cross-cultural study represents the most perceptive analysis of Cold War-era civil-defense theory and practice written to date. As a theater scholar, she focuses on the 'rehearsal' and performative aspects of civil-defense planning in a way that is brilliantly illuminating.""--Paul Boyer, author of By the Bomb's Early Light: American Thought and Culture at the Dawn of the Atomic Age ""Tracy C. Davis is a leading performance historian, and in Stages of Emergency she applies her considerable skills to a kind of 'play' that permeated the consciousness and determined much social reality in the United States, Canada, and the United Kingdom during the Cold War. The story she tells, and her analysis of it, goes to the very heart of what these societies were and are.""--Richard Schechner, author of Performance Studies: An Introduction"