Space, Image, and Reform in Early Modern Art: The Influence of Marcia Hall

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Dr Arthur J. DiFuria (Chair of Art History, Savannah College of Art and Design) Ian Verstegen (Associate Director, Visual Studies, University of Pennsylvania)

Space, Image, and Reform in Early Modern Art

Name: Space, Image, and Reform in Early Modern Art
Price: 194.34 AUD
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ISBN: 9781501518010

The Influence of Marcia Hall

Dr Arthur J. DiFuria (Chair of Art History, Savannah College of Art and Design), Ian Verstegen (Associate Director, Visual Studies, University of Pennsylvania)

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English

De Gruyter Mouton
15 February 2022

The Arts: General & Reference; Renaissance art; History of art & design styles: c 1600 to c 1800; Architecture; Religious buildings; Early history: c 500 to c 1450&1500; Religion & beliefs; History of religion; Christianity

Series: Studies in Medieval and Early Modern Culture

The essays in Space, Image and Reform in Early Modern Art build on Marcia Hall's seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece's facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries.

By: Dr Arthur J. DiFuria (Chair of Art History Savannah College of Art and Design), Ian Verstegen (Associate Director, Visual Studies, University of Pennsylvania)
Imprint: De Gruyter Mouton
Country of Publication: Germany
Edition: New edition
Dimensions: Height: 234mm, Width: 156mm,
Weight: 666g
ISBN: 9781501518010
ISBN 10: 1501518011
Series: Studies in Medieval and Early Modern Culture
Pages: 344
Publication Date: 15 February 2022
Audience: Professional and scholarly , Undergraduate , Undergraduate
Format: Hardback
Publisher's Status: Active

Arthur J. DiFuria is Chair of Art History at Savannah College of Art and Design. He is the editor of Genre Imagery in Early Modern Northern Europe: New Perspectives (2016) and Heemskerck’s Rome: Antiquity, Memory, and the Netherlandish Cult of Ruins (forthcoming). Ian Verstegen is Associate Director of Visual Studies at the University of Pennsylvania. He is the author of Federico Barocci and the Oratorians: Corporate Patronage and Style in the Counter-Reformation (2015).