In his survey of cinematographic practice from 1918 to 1936, Cavendish draws attention to the creative input of the cameraman and describes methods of collaboration between directors and camera operators who were often of differing cultural outlooks. He relates his study of film to parallel trends in still-photography and painting, and traces the continuing impact of pre-revolutionary cinematic norms on the production process.
By:
Philip Cavendish Imprint: Faculty of Arts & Humanities, University College London Country of Publication: United Kingdom Dimensions:
Height: 152mm,
Width: 229mm,
Spine: 15mm
Weight: 384g ISBN:9780955743924 ISBN 10: 0955743923 Pages: 284 Publication Date:01 June 2010 Audience:
General/trade
,
ELT Advanced
Format:Paperback Publisher's Status: Active
