Indian Dance is not what it was. The classical dances of the subcontinent have undergone fission, have been deconstructed and have become part of a contemporary dance idiom. Some of the most innovative work has taken place because of interaction with Western dancers or because it was conceived in a Western and/or global context. Thus the British experience-the work and contribution of Indian dance practitioners based in Britain and working primarily in a British/European context-have been very important for the new development of Indian dance.
Edited by:
Alessandra Iyer
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions:
Height: 234mm,
Width: 156mm,
Weight: 453g
ISBN: 9781138178632
ISBN 10: 1138178632
Pages: 96
Publication Date: 13 January 2017
Audience:
College/higher education
,
General/trade
,
Primary
,
ELT Advanced
Format: Hardback
Publisher's Status: Active
Chapter 1 South Asian Dance: The British Experience, Alessandra Iyer; Chapter 2 South Asian Dance: The Traditional/Classical Idioms, Alessandra Iyer; Chapter 3 In Praise of the Pioneers, Reginald Massey; Chapter 4 South Asian Dance in Britain 1960–1995, Naseem Khan; Chapter 5 Text Context Dance, Shobana Jeyasingh; Chapter 6 Maargam, Valli Subbiah; Chapter 7 Teaching and Choreographing Kathak Dance in Britain, Nilima Devi; Chapter 8 Choreographing Delicious Arbour: Richard Alston in Conversation with Vena Gheerawo, June 1995, Vena Gheerawo; Chapter 9 South Asian Dance: The British Experience? Holism and Individualism, Vena Gheerawo; Chapter 10 Dance, South Asian Dance, and Higher Education, Andrée Grau; Chapter 11 South Asian Dance on the Internet: Chris Bannerman in Conversation with Alessandra Iyer, Alessandra Iyer; Chapter 12 Labanotated Score; Chapter 13 The Ugly Duckling;
Edited by Iyer, Alessandra
Reviews for South Asian Dance: The British Experience
[A] great pleasure...It is a collection of essays by dancers, choreographers, educationalists and journalists. -- The Times Higher Education Supplement