This volume includes major theoretical writings on drama from the Greeks, through the Renaissance up to the late seventeenth century, compiled and edited for students of drama and theatre. There are substantial extracts from twenty-eight writers including Plato, Aristotle, Horace, Scaliger, Castelvetro, Guarini, Sidney, Jonson, Corneille, Racine, Dryden and Congreve. The compilers have chosen writers who present detailed arguments about issues that are sill relevant to our understanding of drama and theatre. Many of the texts have been freshly translated and all have newly been annotated and introduced by the compilers, who draw attention to recurrent themes by a system of cross-references. Michael Sidnell's useful introduction explores the issues which frequently concern these writers and practitioners: the nature of imitation, the relation of dramatic text to live performance, the effect of stage action on audience emotion and behaviour - issues which still concern critics and theorists of drama today.
Later volumes will cover the period from Diderot to Victor Hugo, modern dramatic theory and performance theory.
Contributions by:
D. J. Conacher, Barbara Kerslake, Pia Kleber, C. J. McDonough Edited by:
Michael J. Sidnell Imprint: Cambridge University Press Country of Publication: United Kingdom Volume: v. 1 Dimensions:
Height: 229mm,
Width: 152mm,
Spine: 19mm
Weight: 480g ISBN:9780521089432 ISBN 10: 0521089433 Series:Sources of Dramatic Theory Pages: 328 Publication Date:06 November 2008 Audience:
College/higher education
,
Professional and scholarly
,
Primary
,
Undergraduate
Format:Paperback Publisher's Status: Active
Reviews for Sources of Dramatic Theory: Volume 1, Plato to Congreve
...Sidnell has drawn material together in an interesting and useful way. Douglas H. White, Letters In Canada