Sounding the Word of God

Carolingian Books for Singers

Susan Rankin

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Hardback

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English

University of Notre Dame Press
15 November 2022

The Arts: General & Reference; Music reviews & criticism; History of religion; Christian Churches & denominations

Series: Conway Lectures in Medieval Studies

Drawing on a wide context of bookmaking, this sweeping study traces fundamental changes in books made to support musical practice during the Carolingian Renaissance.

During the late eighth and ninth centuries, there were dramatic changes in the way European medieval scribes made books for singers, moving from heavy reliance on unwritten knowledge to the introduction of musical notation into manuscripts. Well-made liturgical books were vital to the success of the Carolingian fight for Christian salvation: these were the basis for carrying out worship correctly, rendering it most effective in petitions to the Christian God. In Sounding the Word of God, Susan Rankin explores Carolingian concern with the expression and control of sound in writing-discernible through instructions for readers and singers visible in liturgical books. Her central focus is on books made for singers, including those made for priests. The emergence of musical notations for ecclesiastical chant and of books designed to accommodate those notations, Rankin concludes, are important aspects of the impact of Carolingian reforming zeal on material culture.

The book has three sections. Part 1 considers late antique and early medieval texts, which deal with the value of singing and its necessary regulation. Part 2 describes and investigates techniques used by Carolingian scribes to provide instructions for readers and singers. The extant books themselves are the focus of part 3. Rankin's analysis of over two hundred manuscripts and extensive supporting images represents the work of a scholar who has spent a lifetime with the sources; her explication of the images, particularly those of the earlier manuscripts, changes the way in which musicologists and liturgical scholars will view the images. Indeed, it will change the way in which they approach the unfolding history of chant and liturgy in the Carolingian period.

By: Susan Rankin
Imprint: University of Notre Dame Press
Country of Publication: United States
Dimensions: Height: 254mm, Width: 178mm, Spine: 33mm
ISBN: 9780268203436
ISBN 10: 0268203431
Series: Conway Lectures in Medieval Studies
Pages: 490
Publication Date: 15 November 2022
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Susan Rankin is emeritus professor of medieval music at the University of Cambridge and Vice-Master of Emmanuel College, Cambridge. She is the author and co-editor of a number of books, including Writing Sounds in Carolingian Europe: The Invention of Musical Notation.

Reviews for Sounding the Word of God: Carolingian Books for Singers

Susan Rankin has for decades reflected on the relations between the visible signs on the page and musical sound. This book boldly steps in a new direction in several fields of study: palaeography, history of the book, history of liturgy, music history, art history, and the broad history of the eighth and ninth centuries. -Calvin Bower, translator of Fundamentals of Music