Longlisted for the 2020 Stella Prize.
'We want you to come with us on our journey, our journey of songspirals. Songspirals are the essence of people in this land, the essence of every clan. We belong to the land and it belongs to us. We sing to the land, sing about the land. We are that land. It sings to us.' Aboriginal Australian cultures are the oldest living cultures on earth and at the heart of Aboriginal cultures is song. These ancient narratives of landscape have often been described as a means of navigating across vast distances without a map, but they are much, much more than this. Songspirals are sung by Aboriginal people to awaken Country, to make and remake the life-giving connections between people and place. Songspirals are radically different ways of understanding the relationship people can have with the landscape.
For Yolngu people from North East Arnhem Land, women and men play different roles in bringing songlines to life, yet the vast majority of what has been published is about men's place in songlines. Songspirals is a rare opportunity for outsiders to experience Aboriginal women's role in crying the songlines in a very authentic and direct form.
'Songspirals are Life. These are cultural words from wise women. As an Aboriginal woman this is profound to learn. As a human being Songspirals is an absolute privilege to read.' - Ali Cobby Eckermann, Yankunytjatjara poet 'To read Songspirals is to change the way you see, think and feel this country.' - Clare Wright, award-winning historian and author 'A rare and intimate window into traditional women's cultural life and their visceral connection to Country. A generous invitation for the rest of us.' - Kerry O'Brien, Walkley Award-winning journalist
PART 1: Wuymirri Chapter 1: Mum Chapter 2: Country Chapter 3: Mapping Chapter 4: Becoming together Chapter 5: Harmonising Gumatj and Warramirri versions PART 2: Wukun Chapter 1: Gathering of the Clouds Chapter 2: Singing the clouds Chapter 3: Clouds forming Chapter 4: Thundercloud Chapter 5: Clouds separating Chapter 6: Raining PART 3: Guwak Chapter 1: Being a messenger Chapter 2: Sky Country Chapter 3: This is political Chapter 4: The spirits are in everything Chapter 5: Living in today's world PART 4: Wititj Chapter 1: Settling of the Serpent Chapter 2: Belonging and longing to be with Country Chapter 3: Wapitja Chapter 4: Women's knowledge and wisdom PART 5: Gong-gurtha Chapter 1: Keepers of the flame Chapter 2: Passing it on to the kids Chapter 3: The fire on the horizon Chapter 4: Order Chapter 5: Connecting generations Ending with the wind Glossary Acknowledgements Notes Index
Gay'wu Group of Women is the 'dillybag women's group', a deep collaboration between several Yolngu women and three non-Aboriginal women over a decade. Sisters Laklak Burarrwana, Ritjilili Ganambarr, Merrkiyawuy Ganambarr-Stubbs and Banbapuy Ganambarr are elders in the most influential Aboriginal community in Australia, the Yolngu of northern Arnhem Land. Each is a community leader in her own right: Laklak is a caretaker for the Gumatj clan, founder of the family's successful tourism business Bawaka Cultural Experiences and has been awarded an honorary doctorate from Macquarie University; Merrki is principal of Yirrkala school; Ritjilili works for Miwatj Health and Bawaka Cultural Experiences; Banbapuy is an author, artist, weaver and teacher. Their daughter Djawundil Maymuru has been on the board of Laynapuy Homelands Aboriginal Corporation and is a key member of Bawaka Cultural Experiences. The sisters have collaborated on a series of cultural and research projects with Associate Professors Kate Lloyd and Sandie Suchet-Pearson from Human Geography at Macquarie University, and Associate Professor Sarah Wright from Geography and Development Studies at the University of Newcastle. They are all co-authors of the book Welcome to My Country.
- Long-listed for Best Designed Nonfiction Book 2020 (Australia)
- Long-listed for Victorian Premier's Literary Awards 2020 (Australia)
- Short-listed for Australian Book Design Awards 2020 (Australia)
- Short-listed for Best Non-fiction 2020 (Australia)