ABBEY'S BOOKSELLER PICK ----- Cyril and Kay have spent their working lives in the NHS, as doctor and nurse, and have solid socialist principles. They also have three children, an increasingly valuable big house and a secret pact to end their lives when they reach 80. They made the agreement when they were 50, after Kay had watched her father struggle with dementia for a decade and vowed not to end up like him. Life goes on - and then they reach their self-agreed end date… Eleven different futures unfold. They range from heavily dystopian to thoroughly fairy-tale, and all the degrees in-between (including a cryogenic future). I will admit to finding the first chapter overly didactic and slightly tedious, but persevere! This has some very interesting things to say about ageing, the possible directions of society, and attitudes to the elderly, and is in turn entertaining, ironic, pointed, engrossing, tragic and playful. Lindy
Lionel Shriver's novels include the National Book Award finalist So Much for That, the New York Times bestseller The Post-Birthday World, and the international bestseller We Need to Talk About Kevin. Her journalism has appeared in the Guardian and the New York Times, the Wall Street Journal and many other publications. She lives in London and Brooklyn, New York.
'There's something bracing about reading a novelist so admirably heartless, watching her pull the legs off her characters again and again... I think Shriver's novels are wonderful... fun, smart and, perhaps because of their author's unconventional political views, unlike anything else you'll read' Financial Times 'A work of undeniable moral seriousness, yet one that's never just a series of (admittedly juicy) discussion points. Even the most fantastical outcomes are envisaged with exhilarating thoroughness - while Cyril and Kay remain the same richly conceived characters throughout. Despite the grimness of the premise, the book also offers the stirring sight of a writer clearly enjoying herself' The Times 'It's hideous - but also hilarious. Through the potent spell of Shriver's language, horror gets alchemised into amusement. Fiery phrases spit and crackle. Disgust expands and bursts into belly laughs... a very funny book' Sunday Times 'After a (pun intended) deathly start, Shriver's typically provocative novel manages to be both entertaining and poignant, with the novelist even poking fun at herself as she questions what makes a good innings. It might (almost) be a beach read' Daily Mail 'Characteristically contrarian, fiercely experimental and decidedly timely' i paper 'This is a supremely odd book, but an utterly original one. Shriver's refusal to write the same novel twice remains as exhilarating as ever' Sunday Independent 'Shriver uses a 'parallel universe' structure to explore various outcomes - and somehow makes conversations about death feel far from taboo' Sunday Telegraph 'Some books become so popular that the lucky author can thereafter churn out any old cobblers, confident in the knowledge that it will be published and find an audience. Lionel Shriver never took that easy route' Irish Independent