Shellac in Visual and Sonic Culture

Unsettled Matter

Elodie A. Roy (University of Newcastle, UK)

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Paperback

Forthcoming
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English

Routledge
01 December 2025

Humanities; Media studies; Instruments & instrumentation engineering; Electrical engineering

This book charts the unsettled media cultures and deep time of shellac, retracing its journey from the visual to the sonic, and back again. Each chapter unveils a situated moment in the long history of shellac – travelling from its early visual culture to Emile Berliner’s discovery of its auditory properties through to its recycling in contemporary art and design practices. Unforeseen correspondences between artefacts as diverse as mirrors, seals, gramophone discs and bombs are revealed. With its combinatory approach and commitment to material thinking, Shellac in Visual and Sonic Culture insists on moments of contact, encounter, and transformation. The book notably addresses the colonial unconscious underpinning the early transnational recording industry, highlighting the multiple gestures and forms of labour entombed within the production of the 78rpm disc. Roy explores shellac as a concrete substance, as well as the malleable stuff of which stories, histories and modern imaginings were made – and unmade.

By: Elodie A. Roy (University of Newcastle UK)
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
ISBN: 9781041186038
ISBN 10: 1041186037
Pages: 240
Publication Date: 01 December 2025
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Forthcoming

Introduction: From material culture to the materials of culture, Chapter 1. Sheen: Early stories and circulation of shellac, Chapter 2. Crackle: Assembling the record, Chapter 3. Mirrors: Phono-fetishism and intersensory visions, Chapter 4. Detonations: Shellac at war, Chapter 5. Shards: Waste, obsolescence, and contemporary remediations, Conclusion: Sonic sculptures, Index.

Elodie A. Roy is a media and material culture theorist with a specialism in the history of phonography. She is the author of Media, Materiality and Memory: Grounding the Groove, and the co-editor (with Eva Moreda Rodríguez) of Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945.