Our search has the following Google-type functionality:
If you use '+' at the start of a word, that word will be present in the search results.
eg. Harry +Potter
Search results will contain 'Potter'.
If you use '-' at the start of a word, that word will be absent in the search results.
eg. Harry -Potter
Search results will not contain 'Potter'.
If you use 'AND' between 2 words, then both those words will be present in the search results.
eg. Harry AND Potter
Search results will contain both 'Harry' and 'Potter'.
NOTE: AND will only work with single words not phrases.
If you use 'OR' between 2 single words, then either or both of those words will be present in the search results.
eg. 'Harry OR Potter'
Search results will contain just 'Harry', or just 'Potter', or both 'Harry' and 'Potter'.
NOTE: OR will only work with single words not phrases.
If you use 'NOT' before a word, that word will be absent in the search results. (This is the same as using the minus symbol).
eg. 'Harry NOT Potter'
Search results will not contain 'Potter'.
NOTE: NOT will only work with single words not phrases.
If you use double quotation marks around words, those words will be present in that order.
eg. "Harry Potter"
Search results will contain 'Harry Potter', but not 'Potter Harry'.
NOTE: "" cannot be combined with AND, OR & NOT searches.
If you use '*' in a word, it performs a wildcard search, as it signifies any number of characters. (Searches cannot start with a wildcard).
Search results will contain words starting with 'Pot' and ending in 'er', such as 'Potter'.
Kristina Olsson is a journalist and the award-winning author of three novels Shell, In One Skin, and The China Garden, and two works of nonfiction, Boy, Lost: A Family Memoir and Kilroy was Here. She lives in Brisbane, Australia.
`Sweeping and uniquely Australian novel of art and culture, love and destiny.' * Fraser Coast Chronicle * `This is a novel the reader experiences on the skin as well as in the imagination ... the narrative is a glinting prism through which Olsson examines questions of ethical, emotional, and creative life ' -- Susan Wyndham, Australian Book Review `Beautifully written and historically significant ... Olsson writes almost pointillist prose, her narrative illuminated by vivid dabs of insight, images that speak intimately to heart and eye.' * Adelaide Advertiser * `It's my Book of the Year, and it might even be the Book of the Decade, in the same way that Kim Scott's That Deadman Dance turned out to be a Book of the Decade, for me.' -- Lisa Hill, ANZlitlovers.com `A shimmering love letter to Sydney, with the husk of the emerging Opera House its beating heart ... Required reading' * Australian Women's Weekly * `Olsson's American debut features lyrical writing that brings the cultural upheaval of 1960s Australia vividly to life, and readers who appreciate leisurely paced, thoughtful literary fiction will savour each word of this emotional story of two people - and a country - reckoning with their past and future.' * Booklist * `Shell sanctifies the greatest of our ideas and being, from love, courage and betrayal to creation and dissent ... It's the kind of book that opens out its readers, making them think and feel. It's the kind of book I'll carry with me for all time' -- Ashley Hay, award-winning author of The Railwayman's Wife `A masterful novel, as ethereal and shimmering and magical as the book's beating heart, the Sydney Opera House ... It's fair to say that Shell shares its majesty' -- Matthew Condon, award-winning author of The Trout Opera and Three Crooked Kings `Shell is a brilliant and beautiful novel, full of lyrical grace and sensitive observation ... And at its centre: the Sydney Opera House; not simply an icon, but reimagined as art object, aspiration, and a kind of international dream ...' -- Gail Jones, award-winning author of Five Bells and The Death of Noah Glass `A beautifully crafted novel about a fascinating time in our history. There is a luminous precision in every sentence.' -- Heather Rose, award-winning author of The Museum of Modern Love `Olsson's subtle and nuanced tale displays how deeply the past - or at least one's perception of it - informs life in the present.' * Kirkus Reviews * `Olsson delivers a brilliant snapshot of the swinging sixties, a poignant story of family and of emotional upheaval, with hope running like a thread of gold throughout all that happens.' * Better Reading * `It has a sensory aesthetic and a gentle fluidity.' * The Guardian * `Olsson uses the building of the Sydney Opera House as the backdrop for a contemplative story of personal guilt and political upheaval.' * Publishers Weekly * `A timely reminder of the importance of making a stand on the things that really matter...' * Booktopia * `This narrative of war and hope, the old and the new world, makes Shell a novel of energy and enlightenment, and, to boot, a source of delightful reading.' -- Tom Keneally `A beautifully crafted, spellbinding story of love, loss and identity, set in the shadow of the Vietnam War, for readers who loved All the Light We Cannot See and The Goldfinch.' * NetGalley * `Shell is a novel packed with ideas, rich in detail and dense with research ... as clear and delicate as liquid glass ... ' * New Zealand Listener * `Beautiful and glowing ... a book that glows with golden light, with arguments about art and belief, while it is also infused with the politics of its characters and its time.' * The Bookshelf, ABC * `This is a novel with a sharp eye, a warm heart and sprawling ambitions, painted on the most splendid canvas of all.' * The Australian * `Evocative, learned and moving...' * The Sunday Times UK * `A classic in the making.' * Australian Financial Review * `Olsson's writing is beautiful, captivating, and is enough in itself to recommend this book ... Her descriptions are vivid, evocative.' * New York Journal of Books * `A luminous look at a city at a time of change, a time when the building of the Sydney Opera House was a reach for greatness.' * The New York Times *